Posts Tagged ‘Sault Ste. Marie’


TEASER


INT. – AH.COM SHIP- ENGINEERING- DAY

The camera pans across the interior of the large room, showing a collection of broken and battered equipment scattered across the floor. DOCTOR WHAT comes into view, examining a small motor. Behind him, PSYCHOMELTDOWN and G BONE are seen, picking through the various pieces of equipment. PSYCHOMELTDOWN throws down a computer board in disgust.

PSYCHOMELTDOWN
Damn it! DAVE HOWERY bought and installed most
of this crap… why isn’t he here working on it with us?

G BONE
(smirks)
Why do you think?

PSYCHOMELTDOWN
(groans)
Christ, don’t tell me he’s back in his quarters doing the nasty with KEIRA?!
I thought he’d gotten over that. He really shouldn’t be pushing himself like
that… he’s not a young man anymore. And besides,
she’s nothing compared to ALYSON!

G BONE
Ah, PSYCHO, where’s your sense of romance?
Just think of it… DAVE and his first love, traveling t
he timelines together hand in hand…

DOCTOR WHAT
(distractedly)
Not his first…

He pushes a wire dangling loose from the motor into one of the sockets… it sparks and singes his fingers. DOCTOR WHAT drops the motor on his foot, hops up and down in pain, and puts his burnt finger in his mouth. After a moment of this, he looks up to see the two engineers looking at him in curiosity.

DOCTOR WHAT
What? Damn it, that hurt!

PSYCHOMELTDOWN
What do you mean, ‘not his first’? You’re not saying that there
was some other girl deluded enough to like him? Hell, KEIRA
is his only because she was mentally programmed to love him,
in that big LARP game you and he were hijacked into.

DOCTOR WHAT
Haven’t any of you ever asked DAVE about his background…
the timeline he came from?

PSYCHOMELTDOWN and G BONE look at each other blankly.

G BONE
Well… we don’t really talk to him much. He tends to start babbling
about the dangers of Canada and why it must be destroyed. I generally
stop listening when he starts talking. From everything I’ve heard, he’s
been on the ship almost as long as you.

DOCTOR WHAT
Almost. Back when GREY WOLF and I were forced to shift and
retreat from the Devourer in the second battle against it. We picked
up DAVE as the first new crew member; luckily, as it turned out,
since the shift engines had been hammered pretty bad and needed
repairs. He has always been kind of close mouthed, but I had no
idea that all of you were in the dark about his background.

PSYCHOMELTDOWN
Meh, mainly we didn’t really give a shit.
(G.Bone nod)
So… are you going to tell us the story?

DOCTOR WHAT
(suspiciously)
Is this some kind of ploy to get out of doing your work?

PSYCHOMELTDOWN
I’d never do such a thing. Honest.

DOCTOR WHAT
Well… okay then. Tighten your seat belts, kids,
we’re going back down memory lane…

FADE TO OPENING CREDITS:

An Alternatehistory.com Presentation:

AH.COM: The Series


“TO LIVE AND DIE IN SAULT STE. MARIE”

Written By : DAVE HOWERY


ACT I


EXT- SPACE- DAY

SEVEN YEARS AGO… A MONTH AFTER THE FIRST BATTLE AGAINST THE DEVOURER

The camera opens on a scene high above the earth. A wormhole opens, and the AH.COM emerges from it. It settles smoothly into orbit… but then, a rattling sound is heard and the engines shut down.

INT- AH.COM SHIP- ENGINEERING- DAY

The camera first shows us a view of the shift engines. A low thumping noise can be heard off camera. The camera slowly pans across the room, and we see GREY WOLF kicking the shift engine. The engine is completely inert… no sounds, no movement. GREY WOLF stops kicking it, and looks around.

GREY WOLF
Well, Doc, we’re totally stuck. If we don’t find an engineer
on this world to fix it, we’re staying here forever.

The camera switches to DOCTOR WHAT, whose face is hidden behind a lurid magazine with the title “Dominatrix Lesbians with Whip Cream”. He lowers the magazine and looks at GREY WOLF with a blank expression.

DOCTOR WHAT
Huh?

GREY WOLF
The shift engine is dead. You and
I just aren’t qualified to fix it anymore.

DOCTOR WHAT
Did you try remagnetizing the ucephalus tri-converters?

GREY WOLF
Yes, but it didn’t work.

DOCTOR WHAT
Oh. Did you replace the magnesium
sulfate ion scrubber solution?

GREY WOLF
Yes, but that didn’t work either.

DOCTOR WHAT
Oh. Did you try shoving a hot dog
up the duo-carbon exhaust?

GREY WOLF
Yes… and I still can’t believe that actually worked last time.
If we don’t find an engineer on this world, we’re screwed.

DOCTOR WHAT
(sighs)
Oh. Well, let’s go see what this timeline looks like.

INT- AH.COM SHIP- CONTROL ROOM- DAY

DOCTOR WHAT and GREY WOLF are seen at two of the computer consoles, looking over data scrolling in on the monitors.

GREY WOLF
I hate doing this part. Monitoring broadcasts, connecting to library databases,
scanning surface features… it takes hours to do all this stuff. It would be handy
if we had some kind of central AI to do all this; it’d only take a few minutes.

DOCTOR WHAT
Yes, we need to keep an eye out for something like that. Hmm… okay,
I think we have enough data to work with. Looks like we have a world
that fell deeply into Communism. From what I can tell, every nation in
the world is communist. The USA seems to have been the last hold out,
and is occupied by several other nations… even Canada! Seems like it’s
a bad thing to be an American in this timeline.

GREY WOLF
Isn’t it a bad thing to be an American on all of them?

The two laugh and hoot and scratch themselves.

DOCTOR WHAT
Well, in spite of the occupation, it seems that the majority of the high tech
R&D is going on in the former USA, especially in the Canadian occupied
sector. What’s say we go down and see if we can find an engineer?

GREY WOLF
Sounds like a plan. Only… do we
have to use the teleportation tube thing again?

DOCTOR WHAT
Don’t tell me you’re still paranoid about that?

GREY WOLF
Well, neither of us really knows how to properly work it.

DOCTOR WHAT
Don’t worry, I read the manual, and I have it down pretty good.
There’s only a small chance of anything going wrong.

DOCTOR WHAT walks out of the room, followed by GREY WOLF.

GREY WOLF
What do you mean, a small chance? How small?

INT- AH.COM SHIP- TELEPORTATION TUBE ROOM- DAY

GREY WOLF and DOCTOR WHAT are standing on the teleportation tube pad. DOCTOR WHAT is pushing buttons on a remote control device.

GREY WOLF
Again, I ask, a small chance of what?

DOCTOR WHAT
Huh? Oh. There’s about a 2% chance that your feet will
be switched during transport, your right foot going to your
left leg, and vice versa. But don’t worry about it.

DOCTOR WHAT pushes a button on the remote control device, and the two start to shimmer out of view. GREY WOLF’S panicked shout can be heard for a moment.

EXT- SAULT STE. MARIE- DAY

DOCTOR WHAT and GREY WOLF shimmer into view. The camera pans around them as they look, and we see a wooded area just outside the town.

GREY WOLF
Why did you pick this spot in particular?

DOCTOR WHAT
The scanners showed a major research facility here. Apparently, the
cream of the R&D research teams is here. It’s the best shot we have
of finding an engineer. Plus, we’re deep inside the Canadian Occupation Zone,
so we don’t have to worry about running into the German or Russian
occupation forces in the other parts of the country. Everyone should
speak English here. And… would you stop looking at your feet?! They’re fine.

GREY WOLF
Just checking.

The two walk out of the woods and head towards the town. Moments later, they hear the roar of a truck engine. Turning, they see a large truck with a squad of Canadian soldiers in the back approaching them. The truck screeches to a halt near them, and the soldiers jump out and form a perimeter around the two. A sergeant steps out to talk.

SERGEANT
Halt! Americans are not allowed to be out of the city limits
without papers and guards. Show us your ID at…

The soldier stops and looks closely at DOCTOR WHAT. He pales and quickly waves at his soldiers, who all lower their weapons.

SERGEANT
Doctor! I had no idea that you were anywhere in the area! Please…
let me drive you into town and provide an escort.

DOCTOR WHAT and GREY WOLF look at each other blankly for a moment.

DOCTOR WHAT
Uh… thank you. We’ll accept the ride, but not the escort.
Our business here is… confidential.

SERGEANT
Of course, Doctor.

He waves his men back aboard the truck. DOCTOR WHAT and GREY WOLF get into the cab. The truck moves back onto the road and heads toward the town.

EXT- SAULT STE. MARIE- DAY-

DOCTOR WHAT and GREY WOLF are seen walking down one of the city streets. They look around furtively as they speak.

DOCTOR WHAT
Thank God for alternate versions of… well, me.
This’ll make everything a lot easier.

GREY WOLF
Yeah, so long as the you of this timeline doesn’t hear
about any of this. What do suppose your counterpart does here?

DOCTOR WHAT
Something big. Those soldiers were quaking in their boots
at the thought of having disturbed me. Whatever… let’s hope
my counterfeit status here will get us into the research complex.

The camera switches to a rear view of the two walking up a road. They are moving towards a large industrial complex seen in the distance.

EXT- SSM INDUSTRIAL CENTER- DAY-

The camera shows the outside of the industrial complex. It is a collection of drab looking buildings surrounded by a high security fence topped with barbed wire. Checkpoints and guard shacks are at every entrance. DOCTOR WHAT and GREY WOLF are seen approaching one entrance. They stop at the guard shack there, and a soldier, UBBERGEEK, steps out and confronts them.

UBBERGEEK
Halt! Show your identity papers…

He suddenly pales and stiffens to attention.

UBBERGEEK
My apologies, Doctor! I was not notified of your arrival here.
Please, go through at once.

DOCTOR WHAT
Thank you, soldier. Carry on.

The soldier raises the barricade, and DOCTOR WHAT and GREY WOLF step into the compound. They walk down one of the alleys between the buildings, looking at the signs on them.

DOCTOR WHAT
Well, that was easy. Did you see the look on his face?
My counterpart here must be one powerful person.

GREY WOLF
Or one evil one. That guard looked scared.
So, see anything that looks promising?

DOCTOR WHAT
Not right… wait… this looks good.

DOCTOR WHAT points to one large concrete building ahead of him. A sign on it reads “COMPOUND E. MECHANICAL, COMPUTER, AND ROBOTICS RESEARCH. AUTHORIZED PERSONNEL ONLY.”

DOCTOR WHAT
What do you think? Want to give it a shot?

GREY WOLF nods. The two walk up to the building. A soldier stands guard by the door. He starts to challenge the two, but sees DOCTOR WHAT, and stiffens to attention. He opens the door for them, and the two walk inside.

INT- COMPOUND E- CORRIDOR- DAY-

DOCTOR WHAT and GREY WOLF are seen walking down a long corridor and looking at doors as they go.

GREY WOLF
I think I’ve found a flaw in our plan, Doc. Just how do we go
about finding a competent engineer? For that matter, how do
we make him believe us?

DOCTOR WHAT
Don’t worry, I’ll think of something.

GREY WOLF
(muttering)
I hate it when you say that.

The two stop in front of a window and look through it to the room beyond. The camera switches to their POV. DAVE HOWERY and HERMANUBIS are seen standing at a table, examining pieces of metal. DAVE HOWERY is obviously a slightly younger version of the one on the AH.COM, except that he is clean shaven and looks completely sane. DOCTOR WHAT looks next to the window and sees a door there, marked with a sign saying “LABORATORY 7: METALLURGY AND ADVANCED MECHANICAL APPLICATIONS”.

DOCTOR WHAT
So, what do you think? Should we go in and ask a few questions?
I don’t want to tell anything about the real story behind us, but I’d
like to fish around and find out just what’s going on around here.

GREY WOLF
Well, we have to start somewhere… wait.
Someone’s coming! Look important and arrogant.

The camera switches to the corridor, and VALAMYR and REDEM are seen walking into view, both wearing military uniforms. They stop at the door, and REDEM reaches for the doorknob.

INT- COMPOUND E- LABORATORY 7- DAY-

The camera opens on DAVE HOWERY and HERMANUBIS; both look grim and unhappy.

HERMANUBIS
Damn it, failure again. They aren’t going to be happy with us.

DAVE HOWERY
Are they ever happy with us?

HERMANUBIS
No, but there’s a difference between not happy and really pissed off.

DAVE HOWERY opens his mouth to answer, but the sound of the door opening distracts him. VALAMYR and REDEM are seen walking into the room. DAVE HOWERY and HERMANUBIS both kneel and lower their heads. The two Canadian soldiers look down at them with a mix of arrogance, hatred, and disgust.

REDEM
American scum! Report, #2191!

DAVE HOWERY
The latest attempt has failed also. The metal
held it’s density for only a few seconds.

REDEM sneers down at him. He walks over to the table and picks up a piece of the metal on it… it crumbles in his grasp.

REDEM
Failure again. Have you lost your touch, #2191?

HERMANUBIS
I do not think that it is possible to make an indestructible metal, lord.
Perhaps it is time we were put to work on more probable projects.

VALAMYR
That is for others to decide, worm. Not you,
not him, not any American scum. You will
keep working on this project, and
you will get results.

The two Canadians leave the room. After the door shuts, HERMANUBIS looks up cautiously. The camera switches to DAVE HOWERY, who also looks up; a look of cold fury is on his face.

DAVE HOWERY
I hate kowtowing to those bastards. Every day,
I swear it will be the last time I do so.

HERMANUBIS
But you know it isn’t, and you know why it isn’t.

DAVE HOWERY
(sighs)
Yes. Damn it.

The camera pans to the window. It is darkened, and is obviously a one way window; the corridor outside cannot be seen.

INT- COMPOUND E- CORRIDOR- DAY-

DOCTOR WHAT and GREY WOLF look at each other in shock.

GREY WOLF
My God… just what is going on here? Slavery?

DOCTOR WHAT
Looks like it. But… one of these Americans might be just what we need.
There’s an answer to one of our problems… we can offer one of them a
way off this timeline.

GREY WOLF
You mean… get one to stay with us permanently, as a
member of the crew? That’s not a bad idea.

DOCTOR WHAT
Well, it works on this timeline…
why would any American want to stay here?

GREY WOLF
But we still have to convince them that we are what we say we are…
that’s not going to be easy. Plus, are any of these people going to
have the will to help us? They look to be pretty browbeaten.

DOCTOR WHAT
(grins and points to DAVE HOWERY)
That one isn’t… look at him… he’s really pissed off!

The camera switches to a view of DAVE HOWERY seen through the window… his fist is clenched tightly, and the veins are standing out on his arms. The camera switches back to the corridor.

DOCTOR WHAT
I want to question them while
we have a chance. I need some answers.

GREY WOLF nods. The two move over to the door and open it.

INT- COMPOUND E- LABORATORY 7- DAY

DAVE HOWERY and HERMANUBIS are gathering up the pieces of the metal on the table, when the door opens again. They look over to see DOCTOR WHAT and GREY WOLF enter. Both Americans look in shock for a moment. Both turn pale and kneel again, very quickly, lowering their gaze to the floor.

DAVE HOWERY
DOCTOR WHAT! I’m sorry, no one
notified us that you would be here.
I apologize for our lack of preparedness.

DOCTOR WHAT and GREY WOLF look at each other a moment with surprise on their faces.

DOCTOR WHAT
Don’t worry, you weren’t supposed to know.
This visit is classified. So… what is your name?

DAVE HOWERY looks up briefly in surprise, then lowers his gaze again.

DAVE HOWERY
Americans do not have names, Doctor.
My designation is #2191.

DOCTOR WHAT
Uh… okay. But, surely you had
a real name before all this?

DAVE HOWERY
It is… DAVE, sir. But I am not
allowed to use that anymore, as you know.

DOCTOR WHAT
Very well. And what is it you do here?

DAVE HOWERY
At the moment, I am the chief researcher
on the ultra-dense metals development.
I was taken out of the battle mech laboratory,
where I worked for several years
developing new models.

DOCTOR WHAT
Ultra-dense metals?

DAVE HOWERY
Yes, Doctor. The authorities are looking to create an indestructible metal…
they call it adamantium, although we actually haven’t made any yet.

DOCTOR WHAT
Adamantium? Like Wolverine?

DAVE HOWERY looks up at DOCTOR WHAT questioningly before lowering his gaze again.

DOCTOR WHAT
Never mind. So, have you ever done any work on
large engines, like in rockets or spacecraft?

DAVE HOWERY
Yes, Doctor, for several years after I was captured.
I worked on the engines for the COMMISSAR class
vessel that is finishing up development now.

DOCTOR WHAT
I see. Very well, that will be all. Oh, and don’t mention
to anyone that you saw me here, understand? This is all
very secret, very classified.

DAVE HOWERY
As you wish, Doctor.

DOCTOR WHAT and GREY WOLF leave the room. After the door shuts, DAVE HOWERY and HERMANUBIS both stand and look at each other apprehensively.

HERMANUBIS
Oh God, what do you suppose he is doing here?

DAVE HOWERY
I don’t know, but it certainly isn’t anything good.
I really don’t like that he seems to have an interest
in my work. I like it best when the authorities barely know I exist.

HERMANUBIS opens his mouth to speak, but a loudspeaker suddenly is heard.

LOUDSPEAKER
All workers assemble in the staging area in 15 minutes.

INT- COUMPOUND E- CORRIDOR- DAY

DOCTOR WHAT and GREY WOLF are seen quickly walking away from the laboratory.

GREY WOLF
So, you think we might get him to sign on with us?

DOCTOR WHAT
Maybe. It’ll be hard convincing him we’re what we say we are though…
he’ll be suspicious as hell. Let’s find a library. I want to do some
research on my counterpart here.

EXT- SSM INDUSTRIAL CENTER- STAGING AREA- DAY

The camera pans across a wide shot of several dozen American workers, all of whom are kneeling and facing towards a limousine that has just pulled up in front of them. Several Canadian soldiers are standing guard, weapons in hand. VALAMYR and REDEM are seen moving towards the car.

The camera switches to DAVE HOWERY, kneeling in the front row. His gaze drifts off to the left, and he smiles. The camera pans that way, and shows a slim woman in her mid thirties, (KATIE) with long black hair, blue eyes, and a cute pixyish face. She looks back at DAVE HOWERY with a brief smile, before lowering her gaze again.

The camera switches back to the limousine. REDEM opens the door and a man in a Canadian officer’s uniform steps out of it. He has a round face with narrow eyes and a mouth stuck permanently into a disapproving scowl. He looks around the compound with disdain for a moment, and then looks at the kneeling Americans.

COMMANDANT HARPER
I am COMMANDANT HARPER. I am taking
over command of this facility. My job here is to
get this place running at peak efficiency. There
have been far too many irregularities in research
and materials lost, and too many discipline infractions.
That will all change as of right now. You will work,
you will follow all occupation rules, and you will
achieve all asked for results. Or, you will be executed.
It is that simple.

Flanked by VALAMYR and REDEM, COMMANDANT HARPER walks along the row of kneeling Americans, sneering down at them. He stops when he gets to KATIE.

COMMANDANT HARPER
And just who are you, pretty one?

KATIE looks up briefly at him, fear on her face.

KATIE
I am #4598, lord, and I am assigned
to the nuclear physics lab as a researcher.

COMMANDANT HARPER reaches down and cups her chin in his hand, raising her face to meet his gaze.

COMMANDANT HARPER
Such an arduous task for such a pretty woman.
Wouldn’t you like to be moved somewhere else?

KATIE swallows hard, terror in her eyes.

The camera switches to DAVE HOWERY’S face. Although he is still facing down, a look of fury can be seen on his face. He tenses and looks as if he’s going to stand up, but a hand from off camera suddenly grips his wrist. The camera pans right to show HERMANUBIS. DAVE HOWERY takes a deep silent breath, and stays in kneeling position.

The camera switches back to COMMANDANT HARPER, who stands up, still leering down at KATIE… but he walks on down the line away from her. He, VALAMYR, and REDEM are seen walking out of the staging area and into a building nearby. A whistle is heard sounding throughout the compound, and the Americans all stand and walk away.

INT- SSM INDUSTRIAL CENTER- COMMANDANT’S OFFICE- DAY

COMMANDANT HARPER is seen settling into the chair behind his desk. The camera pulls back to show VALAMYR and REDEM standing at attention in front of it. COMMANDANT HARPER sighs and looks out the window behind him.

COMMANDANT HARPER
America. This is my reward for doing such a splendid job in Montreal.
They send me to this blighted land full of reactionary scum. To watch
over a bunch of surly scientists and engineers doing research quote
‘valuable to the revolution.’

He sighs again and turns back around. His surly face suddenly lights up into a smile.

COMMANDANT HARPER
Of course, there are some compensations.
Like that girl, #4598. I think I’ll requisition her.
See to it that she’s in my quarters tonight.

VALAMYR and REDEM look at each other.

VALAMYR
Uh, sir, I don’t know what you’ve heard
about occupation duty, but you can’t do that.

COMMANDANT HARPER looks outraged.

COMMANDANT HARPER
Says who?! What’s the point of having conquered
this scum if you can’t take their women?!

REDEM
It’s a standing order from the Premiere, sir.
Did you hear what caused the rioting at the
research center in Detroit?

COMMANDANT HARPER
Undetected imperialist agents of the capitalists
who stayed hidden among the proletariat and
led them astray with false promises of
self determination.

REDEM
Yes, sir, that’s what they said in the papers, but I was there.
The truth was that the local officers decided they would play
hide the salami with any American woman they fancied.
When the men found they couldn’t keep their wives and
daughters safe, they had little to lose by rebelling. The rebels
all cut the throats of their women and went down fighting.
It cost us 220 soldiers to learn that lesson. Now, the Premiere
has ordered that the Americans’ families are not to be trifled
with in that way. They need to have stable families if they are
going to do any useful work. Besides, sir, there are plenty of
American women who are more than willing to do what you
want for the right price. And the one you have your eye on
is married and off limits.

COMMANDANT HARPER looks disgruntled, but waves the two officers out. They salute and leave the room. COMMANDANT HARPER turns back around and looks out the window again.

COMMANDANT HARPER
We’ll just see about that.

INT- SAULT STE. MARIE LIBRARY- DAY

The camera opens on a scene of a wide and tall building lined with shelves of hundreds of books. Yet most of the people inside are grouping around the tall glass obelisks that are scattered through the center walkway of the room. As the camera closes in, it is seen that the obelisks have holographic faces on them that are talking to the people nearby. The camera pans around the room and stops on DOCTOR WHAT and GREY WOLF, who are just walking into the room. The other people all blanch and move away when they see DOCTOR WHAT. The two make their way towards the back of the library, at an obelisk that no one is using at the moment.

GREY WOLF
How do you suppose this thing works?

DOCTOR WHAT
Well… let’s try this button… here.

He pushes one of the many buttons on the panel in front of him. The loudspeakers overhead suddenly sound out with the lyrics of “Baby Got Back” at maximum volume. DOCTOR WHAT starts frantically pushing buttons, and we hear snippets of “I Touch Myself”, “Kiss You All Over”, “Highway to Hell”, and “Eat the Rich” before the music shuts off. GREY WOLF looks around, and sees everyone else in the library looking their way with disgust and revulsion. He groans and takes a step away from DOCTOR WHAT, who pushes one last button. A holographic face of a man with a pleasant smile swims into view on the obelisk.

LEO CAESIUS
Welcome to the Sault Ste. Marie Public Library.
My name is LEO, and my specialty is
Middle Eastern Languages, but I can answer
questions about anything in our files.

GREY WOLF
Now, this is weird.
Neat, but weird.

DOCTOR WHAT
Uh… hi, LEO. I want a short history of the USA,
and what led it to be occupied.

LEO CAESIUS
Very well. Please note that this essay has been approved
by the Committee for the Preservation of the History of
the Glorious People’s Revolution.
(pause)
The 20th century saw the culmination of the eternal struggle between
capitalism and the proletariat. The first half of the century was a grim
one for the progressive forces of glorious Marxism, as it seemed that
the military/industrial complex of the imperialists would win both the
military and economic wars being waged across the world. In the 1970’s,
it seemed that the capitalists would triumph; never had the proletariat
been so close to defeat. But then, our glorious Premiere came to power
in the Soviet Union. This man alone reversed the tide of defeat. He
developed outstanding economic policies as well as unmatched military
strategies and weapons of war. The capitalists quickly lost ground. First
Asia, then Africa, then Europe, and then South America were brought into
the light of Marxism/Leninism. The capitalists, defeated everywhere, fell
back on their stronghold in North America, the United States. When
Mexico was finally brought into the revolution, the imperialists sent millions
of their thuggish soldiers south, attempting to cling to this outpost of their
evil empire. And then our Premiere brought off his most stunning and
brilliant strategy. Canada, so long a tool of the oppressors, threw off the
shackles of capitalism and joined the People’s Revolution! In answer to
their pleas, the forces of Marxism worldwide responded heroically and
millions of volunteers went into Canada to aid them in the final struggle
against the imperialists. Caught off guard with most of it’s armies in the
south, the Americans were helpless against the liberators moving in from
the north. Sadly, much of the population was deeply deluded by the lies
of their overlords, and fought fanatically against those who sought only to
free them. As a result, the USA has been temporarily occupied by several
nations until the people can be deprogrammed out of their imperialist mindset.
Canada, Russia, and Germany are foremost among these nations who have
shouldered the burden of bringing America into the light of the Revolution.
End file.

DOCTOR WHAT and GREY WOLF look at each other skeptically.

GREY WOLF
What a load of propaganda bullshit!

DOCTOR WHAT
Yeah. And did you notice that everything here seemed
to revolve around this mysterious Premiere?

GREY WOLF
Yes… so, do you think we are dealing with some incredibly
gifted genius like Genghis Khan, or is it… something else?

DOCTOR WHAT
I’m guessing ‘something else.’ Sounds to me
like we have a time traveler. Or maybe somebody
like us, someone who goes around the multi-verse.
(to LEO)
Thanks. Now, I want to know what you have on file
about the Canadian officer Bruno What.

LEO CAESIUS
That information is classified.
Please stand by for retina scan.

DOCTOR WHAT looks startled as a beam of red light shines out of the obelisk and scans across his eyes.

LEO CAESIUS
Identity confirmed. Bruno What, level 7 researcher,
Canadian Armed Forces. Access granted.
(pause)
Dr. Bruno What is one of the least known but most controversial members
of the Canadian research teams. He is currently based in Ottawa, at the head
of Research Laboratory #8. Little is known of his current projects, but he has
requisitioned large numbers of Americans for test subjects. His specialties
are known to be in genetics and bio-engineering. He has an undeserved
reputation among the Americans for taking test subjects into his labs who
never come out again, but this is propaganda spread by dissident elements
in the occupied sector. Like all Canadian researchers, his efforts are all directed
to further the cause of Marxism/Leninism and benefit all people everywhere.
End file.

DOCTOR WHAT
Very well. Now, what information do
you have on the American prisoner #2191?

LEO CAESIUS
Processing.
(pause)
Prisoner #2191 is currently incarcerated in the industrial complex
in Sault Ste. Marie in the Canadian Occupied Sector. He is known
to be an expert in mechanical engineering, metallurgy, and robotics.
Before the final liberation of the United States, he was known as
DAVE HOWERY. He was given permission to marry Prisoner #4598,
formerly KATIE SUMMERS, a nuclear research specialist also in
Compound E, and the two reside together in the prisoners’ housing
on the base. End file.

DOCTOR WHAT and GREY WOLF look at each other in surprise.

GREY WOLF
Married. That complicates things.

DOCTOR WHAT
True. But, his wife is a nuclear physicist. We could
certainly use her skills on the ship too.

The two walk towards the library entrance. GREY WOLF looks as if he is considering something, and speaks hesitantly.

GREY WOLF
Doc… this timeline… sucks. It’s always
nice to see the US get its comeuppance…
but this?! Slavery, occupation, your
counterpart being one step removed from
Mengele, and Canada being such a brutal bunch.

DOCTOR WHAT
True, but there’s not a damn thing we can do about it.
Hell, if we can get just these two off this world, that’ll.
earn us some karma points. Now, let’s get back up to
the ship. I have a plan… and I need something
from the Med Bay first.
(pause)
You know, we need to keep an eye out for something like
that LEO program. A central AI like that could be just what we need.

GREY WOLF
Yeah, I suppose. I don’t really want this one…
we don’t need a computer that is expert on
Middle Eastern languages. But something
like that would be great.

DOCTOR WHAT
True. Now… let me set the
coordinates for returning to the ship…

GREY WOLF
(groans)
Not the teleporter again…

DOCTOR WHAT
Don’t be such a wuss…

END ACT I


ACT II


INT- SAULT STE. MARIE- INDUSTRIAL CENTER- PRISONER HOUSING- NIGHT

The camera pans across a dark and dingy room in a building made of concrete blocks. The door opens, and DAVE HOWERY and KATIE are seen entering the room. Behind them, a Canadian soldier is seen just outside; he pulls the heavy metal door shut, and it is heard being locked from the outside. DAVE HOWERY turns on the lights, and then rubs his hands together.

DAVE HOWERY
Why is it so cold in here?

KATIE
They cut our heating allowance again.

DAVE HOWERY
(angrily)
Damn it! This base produces more nuclear power
in a day than we would use in a week. Why the hell
can’t they spare some to keep us warm?!

KATIE
It’s just one more way of keeping us in line.
Maybe they think if we’re busy trying to
stay warm, we won’t be causing any trouble.
(pause)
So… did you get it?

DAVE HOWERY smiles and takes a small plastic envelope out of his pocket. Inside it is a large screw cap that is made of adamantium.

DAVE HOWERY
Yep. The final piece. How about you?

KATIE reaches into her shirt and takes out a metal tube. She hands it to DAVE HOWERY, who unscrews the cap and shakes out a glass rod that is glowing weirdly green.

DAVE HOWERY
Yes! Now, it will be complete.

He kneels down and pulls aside a battered throw rug off the floor, and then hooks his fingers into a floor board and lifts it up, revealing a cavity in the floor below. He reaches into it and pulls out the adamantium chainsaw. There is an empty tube in the handle of it. DAVE HOWERY inserts the glass rod into it, and then takes the large screw cap and puts into the handle. He pushes a button on the handle, and a green LED light brightens.

DAVE HOWERY
It works…

KATIE kneels beside him, and runs a finger along the blade of the chainsaw.

KATIE
Is it really indestructible?

DAVE HOWERY
Well… a nuclear blast would probably melt it,
but anything short of that… yep. You could
drop it out of an airplane onto a rock, run over
it with a tank, or shoot it with an elephant gun,
and it will come out without a scratch.

KATIE
And you’ve been making this metal right under
the damn Canadians’ noses all these years. Good
thing they never look at our hands too closely.

She wiggles her left hand in front of his face with a smile. On her finger, her wedding band can clearly be seen as another item made of adamantium. DAVE HOWERY raises his own hand, where a similar ring can be seen.

KATIE
Why a chainsaw?
Why not a gun or something?

DAVE HOWERY
Well, if we ever have to make a run for it,
this will cut through anything in our way.
Any wall, any lock, any one. An adamantium
gun can’t kill someone any deader than
a regular gun would, and it can run out of
bullets. The chainsaw can get us out of any
entrapment, and with that cold fusion battery
you smuggled out, it’ll run damn near forever.

KATIE
Makes sense. What
about FIFTH COLUMN?

DAVE HOWERY reaches back into the hole in the floor and pulls out a PDA device. He punches in a code and reads the screen.

DAVE HOWERY
Yes, it’s still in place. It just
might get us out of here someday.

KATIE
(bleak look)
Yes, we might be able to get out of here.
But where would we go? The whole
world belongs to the commies.

DAVE HOWERY
(sighs)
I don’t know, love. But I’m holding out hope that
someday, somewhere, there will be a place to run to.
I can’t really bear the thought of living like this forever.

The last scene shows the two still on their knees, hugging each other, with looks of utter despair on their faces.

INT- OTTAWA- RESEARCH LAB #8- CONTROL ROOM – NIGHT-\

The camera pans across a room filled with blank monitors and computer stations. It stops on a man seated in a chair and looking through notes on a clipboard. This is ATL DOCTOR WHAT, who looks much like the AH.COM version, except for a military haircut and a fanatic gleam in his eyes. He stretches and stands up, yawning. A low humming sound off camera draws his attention. He turns and his eyes go wide in surprise.

The camera switches to his POV, and DOCTOR WHAT and GREY WOLF are seen just materializing into view. DOCTOR WHAT holds a tranquilizer gun, and GREY WOLF has a pistol pointed at ATL DOCTOR WHAT. The two Doctors stare at each other for a moment.

ATL DOCTOR WHAT
What in the hell….

DOCTOR WHAT
What did he do to our hair?!

ATL DOCTOR WHAT shakes his head and starts to move towards a big red alarm button, but GREY WOLF cocks his pistol and points it at him; he backs away, hands raised.

ATL DOCTOR WHAT
Whatever you’re planning, it won’t work. My government never
deals with terrorists… never. I suppose that you are an American
that has had surgery to look like me, and you are planning to use
my position to carry out some act of subversion. Well, you don’t
know my access codes, so it won’t work.

DOCTOR WHAT looks offended.

DOCTOR WHAT
American?! I’m a bona fide Canadian , you hoser. Now…
just what have you been up to here, eh?

DOCTOR WHAT looks over the computer stations, and pushes several buttons. The monitors around the room light up. DOCTOR WHAT and GREY WOLF look at them in shock. Each shows scenes of several beautiful women, all kissing and pawing at each other frantically.

DOCTOR WHAT
Wow! I don’t know what research is
involved here, but I highly approve!

He turns as ATL DOCTOR WHAT laughs fanatically.

ATL DOCTOR WHAT
Yes, you now see the beauty and glory of my master plan!
Everyone knows that lesbian porn is the most interesting of all porn…

GREY WOLF
Not really…

DOCTOR WHAT
Of course it is!

ATL DOCTOR WHAT
… and my research is developing ways to turn everyone
everywhere into beautiful lesbians! Soon, everyone will
be a beautiful lesbian and I can watch all of them all the time!

DOCTOR WHAT
I find your ideas intriguing and I wish to subscribe to your news….
Wait. Everyone everywhere? What about the men?

ATL DOCTOR WHAT
Yes! Even they will succumb to my plans and
become beautiful lesbian women!

DOCTOR WHAT and GREY WOLF look at each other with revulsion.

GREY WOLF
Well, that has a really high ‘ick!’ factor. Geez, how does someone
so insane get funding to do something like this?

GREY WOLF looks around and sees DOCTOR WHAT staring mesmerized at one of the monitors.

GREY WOLF
DOC!

DOCTOR WHAT shakes his head, and looks around.

DOCTOR WHAT
Huh? Oh, right. The plan. Well, let’s get a move on.

He aims the tranquilizer gun at ATL DOCTOR WHAT and pulls the trigger. A dart strikes him in the neck, and he collapses instantly. GREY WOLF moves cautiously over to him, and feels for a pulse.

GREY WOLF
Well, he’s okay. Now, just have to get him back to the ship….

He looks around and sees DOCTOR WHAT again staring transfixed at one of the monitors. GREY WOLF sighs, walks over to a computer station, and pushes a button. The monitors all shut off. DOCTOR WHAT looks around at him blankly.

DOCTOR WHAT
Where girls go?

GREY WOLF
Doc! Snap out of it! We got things
to do, people to see, and places to go.

DOCTOR WHAT shakes his head.

DOCTOR WHAT
Right, right. Let’s go. Well, just one more look…

He reaches for one of the computer keys. GREY WOLF groans, takes the teleporter remote control out of his pocket, and pushes the button. The three men shimmer out of view, and DOCTOR WHAT’S tearful cry of ‘NOOOOO!” is heard faintly.

INT- SSM INDUSTRIAL CENTER- PRISONERS HOUSING- MORNING

The camera opens on a scene of DAVE HOWERY and KATIE bustling around, finishing up breakfast, and generally getting ready to go.

DAVE HOWERY
Okay, the guards will be here in an hour, so let’s …

The lock on the outside door is suddenly heard unlatching. DAVE HOWERY and KATIE look at each other in surprise. The door opens, and FORTYSEVEN and two Canadian soldiers enter the room. The two Americans look shocked for a moment, and then both kneel and lower their gazes to the floor.

FORTYSEVEN
You. #4598. COMMANDANT HARPER wants
you at work an hour early today. #2191, your guards
will be by to get you at the normal time.

FORTYSEVEN takes hold of KATIE’S arm and drags her to her feet, fear all over her face. DAVE HOWERY jumps to his feet in rage, but one of the Canadian soldiers brutally slams the butt of his assault rifle into his stomach, and then onto the back of his head. DAVE HOWERY falls to the ground, stunned and moving weakly. The three Canadians haul KATIE, trembling in fear, out of the door, which is shut and locked again.

The camera pans back to DAVE HOWERY; he groans, and gets onto his knees, obviously in pain. He shakes his head, and staggers to his feet. He walks shakily over to the door and tries the handle, but it won’t budge. He backs up and looks around in shock. He howls wordlessly in rage and grief. Moving over to the battered floor carpet, he kicks it aside, pulls out the floor board, and reaches into the hiding place to pull out the adamantium chainsaw and his PDA. He puts the latter into his shirt pocket. DAVE HOWERY moves towards the door, but then looks around in puzzlement. A low humming sound is heard behind him. He turns, and drops the chainsaw in surprise.
The camera switches to his POV. DOCTOR WHAT and GREY WOLF are seen grinning at him, with ATL DOCTOR WHAT tied and gagged between them. DAVE HOWERY starts to kneel, and then looks again at DOCTOR WHAT and ATL DOCTOR WHAT, obviously noticing their near identical appearances. He looks puzzled, and then looks down at the chainsaw on the floor, and looks up again, his face pale. He sinks to his knees and lowers his gaze to the floor.

DOCTOR WHAT
No, DAVE, stand up. If this works out,
you’ll never kneel to anyone again.

DAVE HOWERY looks up in curiosity, but stands up. He looks again at the two Doctors.

DAVE HOWERY
How… what… just what the hell is going on here?!

DOCTOR WHAT starts to speak, but then hesitates and smiles crookedly.

DOCTOR WHAT
You know, I’d planned for a moment like this for a long time,
and now that I’m here, I really don’t know what to say. Well,
I’m just going to tell you the truth, straight out.
(pause)
I am DOCTOR WHAT, but not the one that you know. I am not from
this world, or even this universe. We come from another timeline,
a universe parallel to this one, but with a completely different
history. We came here in a ship that I helped design, a ship capable
of creating wormholes between the timelines and moving from one
to the other. This man is the DOCTOR WHAT from your timeline, the
one that you know. I brought him here so that we could prove what
we say is true. Do you have access to a molecular resonance scanner?

DAVE HOWERY is staring at the intruders wide eyed. He shakes his head, and looks at DOCTOR WHAT.

DAVE HOWERY
Uh… yes. I have one here, in fact. What… oh, wait. You’re talking
about the quantum signature theory, aren’t you? The one that says that
every universe has its own molecular frequency, and something from
somewhere else will have a different frequency.
Well, I can tell soon enough.

He walks over to a battered desk and picks up a complex-looking scanning device. He punches a code into it and then waves it over ATL DOCTOR WHAT. He looks at the screen, and nods.

DAVE HOWERY
Just what it should be.

He waves the device over DOCTOR WHAT, glances at the screen, and looks up in surprise. He waves the scanner over GREY WOLF, looks at the screen again, and looks up with raised eyebrows.

DAVE HOWERY
Well, it appears you are what you say. So… why are you
here talking to me? I’m just a prisoner of no importance or
influence. Don’t you want to see the Premiere, or one of his ministers?

GREY WOLF
What, talk to that bloody handed bunch of wankers?
They’d as soon kill us as talk to us.

DAVE HOWERY’S eyes narrow, noticing the British accent.

DAVE HOWERY
A Brit? And a Canadian? Traveling the timelines together?

DOCTOR WHAT
(shrugs)
Why not? On our home world, Brits and Canadians,
and hell, even Americans, are all united with the rest
of the world… no animosity between them at all.

DAVE HOWERY looks skeptical.

DAVE HOWERY
Well, here, the Canadians are known mostly for treachery and
backstabbing. And the Brits, well once NATO collapsed, they
couldn’t wait to surrender and give the royal family over to the
Kremlin’s torturers. But… again, what do you want with me?

DOCTOR WHAT
Well… think of this as a recruiting drive. We desperately need
skilled crew members on our ship. You and your wife certainly
qualify, and I’m offering you both a way out of this world.
Unless you’d rather stay here…

For the first time, DAVE HOWERY’S face lights up with hope.

DAVE HOWERY
Freedom. A place we can run to.

He suddenly looks anguished.

DAVE HOWERY
KATIE! The bastards took her! We need to
help her before we can go anywhere.

GREY WOLF
Damn it, that complicates matters.
Where do you think they will take her?

DAVE HOWERY
Well, the commandant’s office is in the
nuclear fission power plant building…

DOCTOR WHAT
Damn! The shielding and radiation there will make it
impossible to teleport into it. We’re going to have to
walk in and rescue her. Hmm… first,
gotta get out of this building.

DAVE HOWERY
I can do that. But…
(pause)
How do I know this isn’t a trick of some kind to
test my loyalty? I really want to believe you but…

DOCTOR WHAT
If you want 100% absolute proof, I can’t give it to you.
You’re going to have to trust me.
Are you willing to take a chance?

DAVE HOWERY thinks deeply for a moment.

DAVE HOWERY
For a chance to get out of here? Hell yes. Now… let’s go….
Wait… first, I need to give you something.

He walks over to his desk, opens a drawer, and takes out two tiny computer chips attached to small batteries. He hands one each to DOCTOR WHAT and GREY WOLF, who look at him in curiosity.

DOCTOR WHAT
And just what are these?

DAVE HOWERY
They’ll keep you safe, if my plan
works. You’ll have to trust me.

DAVE HOWERY picks up his chainsaw and fires it up. Walking over to the door, he hesitates, and then stabs the whirring blade against the lock. The chainsaw slices through the case steel like it was butter. The deadbolt can be heard splitting in two. DAVE HOWERY pulls the saw back, and looks at it wide eyed.

DAVE HOWERY
Wow… it works!

He turns to see DOCTOR WHAT and GREY WOLF looking at him in surprise.

DOCTOR WHAT
(muttering)
Holy mother of God…..

GREY WOLF
Well, that did the trick. Now…
what do we do with this guy?

DOCTOR WHAT turns to see GREY WOLF pointing to ATL DOCTOR WHAT. DOCTOR WHAT turns to DAVE HOWERY with a grin.

DOCTOR WHAT
Got a closet?

INT- NUCLEAR POWER PLANT- CONFERENCE ROOM- DAY

The camera shows a room that is furnished only with a long table, many chairs, and a wide cot. The door opens, and KATIE, escorted by FORTYSEVEN, enters. The Canadian walks her over to a chair and shoves her onto it.

FORTYSEVEN
The Commandant wants to talk to you. Wait here.

FORTYSEVEN leaves the room, and locks the door behind him. KATIE looks around the room, ashen faced with fear. She goes over to the window and tries to open it, but it is sealed shut. She looks around in despair. The door is unlocked and COMMANDANT HARPER walks in. KATIE kneels and lowers her gaze, but is trembling. COMMANDANT HARPER walks over to her and looks down at her with a blank expression.

COMMANDANT HARPER
#4598. Who gave you permission to marry?
And why do you have no children?

KATIE
It was Commandant Chretien. And neither of
us can have children… both of us were irradiated
and sterilized after we were captured.

COMMANDANT HARPER
Pity. It’s a shame that such talents as you possess
will not be passed on to a future generation.

He walks over to a chair and sits down.

COMMANDANT HARPER
I’ve been reviewing the Occupation marriage laws. As Commandant,
I have the power to dissolve them under certain circumstances. One of
those is if there are no children produced. I could end your marriage to
#2191 right now. And… as the Commandant’s ‘house guest’, you would
live in much more tolerable conditions and have a lighter work load.
You have this one chance to go willingly.

KATIE
(furiously)
Never!

COMMANDANT HARPER
Fine. We do this the hard way then.

He stands and moves towards her. She tries to move away, and trips over the chair, falling down. She crawls away from him desperately, terror in her eyes. Just as COMMANDANT HARPER strides next to her and reaches for her hair, FORTYSEVEN bursts into the room. COMMANDANT HARPER turns angrily towards him, but FORTYSEVEN speaks first.

FORTYSEVEN
Sir! We have a situation outside! An armed intruder is
trying to take away one of the prisoners!

COMMANDANT HARPER looks at him grimly, then nods. Both Canadians leave the room; the door is shut and locked.

EXT- SSM INDUSTRIAL CENTER- DAY

The camera shows DOCTOR WHAT, GREY WOLF, and DAVE HOWERY huddled tight against a brick wall, near a corner of a building. Shots are being fired at them, and bullets ricochet off the bricks. GREY WOLF is in the lead, pistol in hand, and peeking around the corner occasionally. DOCTOR WHAT is doing his best to blend into the wall. DAVE HOWERY has his PDA device in hand and looks strangely happy.

DOCTOR WHAT
Why are you so cheery? Have a secret
urge to be shot full of holes, do you?

DAVE HOWERY
Hey, this is the most fun I’ve had in years.
And don’t worry, we’ll be fine just as soon
as they get reinforcements.

GREY WOLF peeks around the corner again, and the camera switches to his POV. A squad of Canadian soldiers, led by VALAMYR and REDEM, are in the street, shooting assault rifles at the three.

GREY WOLF
When they get reinforcements?! They got
us outgunned about 20 to 1 already!

The shooting suddenly stops, and a series of loud thuds is heard. All three peek around the corner. The soldiers are seen moving hastily aside as a gigantic walking battle mech comes into view. It is roughly humanoid shaped, but each arm is actually a Gatling cannon. It stops and points both arms at the corner the three are hiding behind.

DOCTOR WHAT
Damn it! We’re screwed!

DAVE HOWERY
Ha! Damn Canucks, never will dare to attack without every advantage
they can scrape up. Well… now it’s going to cost them.

He looks at his PDA and makes one last adjustment. With a malicious grin, he pushes a button.

The camera switches back to the soldiers. The battle mech lurches forward. One massive foot stomps down on VALAMYR, turning him into red goo on the concrete. The Gatlings open fire, shredding the panicking soldiers. REDEM tries to run around a corner, but the mech tracks him and blows him to bits. The mech walks on, and rounds the corner where the three are hiding. It looks down at them a moment, and then moves on, going out of sight around another corner.

DOCTOR WHAT
Holy….. how in the hell did you do that?!

DAVE HOWERY
FIFTH COLUMN. I came up with it back when I was making
battle mechs for the Canadians. It’s a computer program I hid
deep in the software of every mech I designed. At my signal,
FIFTH COLUMN overrode all other programming and ordered
them to attack. This is happening all over Occupied America.
(happily)
Yeah, payback’s a bitch!

GREY WOLF
Why didn’t it kill us?

DAVE HOWERY
It won’t kill Americans. All of us have transmitters imbedded
under our skins that track our movements. The mechs won’t
hurt anyone who has them.

DOCTOR WHAT
But GREY WOLF and I don’t have them…
oh wait. Those computer chips you gave us
must be similar transmitters. Neat plan.

GREY WOLF
Well, with that mech keeping them busy,
we should be able to get to the power plant now.
Let’s get going, before they remember us.

The three look around cautiously and then run across the street, heading towards a large building with smokestacks belching out white steam.

INT- POWER PLANT- CORRIDOR- DAY

The camera shows the corridor just inside the main entrance door into the plant. DOCTOR WHAT, GREY WOLF, and DAVE HOWERY are seen opening the door and moving quickly inside. DAVE HOWERY points down to the left, and the three move that way. The camera shifts views when they get to the corner. A Canadian soldier comes around the corner at the same time, and all four stop and look at each other in surprise for a moment. The soldier starts to raise his assault rifle, and DAVE HOWERY thumbs the button to turn on the chainsaw. He desperately slashes out with it, and it cuts the rifle in two, and the soldier as well. Parts of both fall together in a messy heap. DAVE HOWERY looks down in shock.

DAVE HOWERY
Good God… I didn’t mean to do that.

A nasty grin goes across his face, and he moves forward down the corridor. The camera switches to DOCTOR WHAT and GREY WOLF, who both look rather green in the face.

GREY WOLF
(whispering)
Christ, Doc, this guy isn’t all there.

DOCTOR WHAT
Maybe, but I don’t really feel like going through all
the hassle of trying to find another guy. Do you?
(Grey shakes his head)
Let’s keep moving.

INT- POWER PLANT- COMMAND CENTER- DAY

The camera shows a room full of computer consoles, monitors, and printers. Security monitors cover the walls. Several Canadian security troops are in here. The door opens, and COMMANDANT HARPER walks in, looking extremely annoyed.

COMMANDANT HARPER
Just what is the problem here?

SECURITY TROOPER
Sir! A squad outside saw two men trying to break Prisoner #2191
out of the compound. One was armed. The squad had them cornered
and called on the battle mech for reinforcements… but it turned on us!
It’s rampaging through the compound, attacking our troops. We’ve
called for air support to take it out, but they’re at least 20 minutes away.

COMMANDANT HARPER
#2191… and the mech turned on us?!
Damn it, he caused this somehow! Wait…

COMMANDANT HARPER turns and looks at one of the monitors. On it, KATIE can be seen still trapped in the conference room, looking about anxiously. COMMANDANT HARPER pushes a computer button, and the scene switches to the corridor outside the conference room. DAVE HOWERY, GREY WOLF, and DOCTOR WHAT enter the scene, and pause by the door. COMMANDANT HARPER stares in surprise, and then looks angry. He turns to the security troops.

COMMANDANT HARPER
We have intruders on the base! Move
out now, and cover all the exits.

He draws his pistol and runs out the door, followed by the security troops.

INT- POWER PLANT- CONFERENCE ROOM- DAY

KATIE is seen looking around in terror; the sounds of the soldiers battling the rogue mech outside can be heard through the walls. A roaring sound out in the hallway draws her attention, and the camera pans over to the door. The blade of the adamantium chainsaw is seen punching through the metal door, and then it makes a neat circle around the lock. It falls to the floor. The door is pushed open, and DAVE HOWERY moves into the room. The two Americans run to each other and embrace, the woman in tears. DOCTOR WHAT and GREY WOLF walk into the room. KATIE takes a look at DOCTOR WHAT, turns pale, and starts to kneel, but DAVE HOWERY pulls her back onto her feet.

DAVE HOWERY
No more of that, love. We’re getting out of here.

KATIE
You… you activated FIFTH COLUMN,
didn’t you? But where are we going?

DOCTOR WHAT
It’s… hard to explain right now. But we need to get out
of this building so we can activate the teleporter. Let’s go.

KATIE and DAVE HOWERY look at each other in puzzlement, mouthing ‘Teleporter?’ to each other, but both follow DOCTOR WHAT and GREY WOLF out of the room.

EXT- SSM INDUSTRIAL CENTER- DAY

The camera shows the main door leading into the power plant. It opens, and DOCTOR WHAT looks around cautiously. The camera switches to his POV, and we see dozens of soldiers lying in the street, shredded by cannon fire or stomped to death by the battle mech. DOCTOR WHAT motions to the others behind him, and all four step out into the street. DOCTOR WHAT takes out the teleporter remote control, while GREY WOLF is holding out his pistol and looking around warily. DAVE HOWERY and KATIE are holding hands and looking at the other two hopefully.

DOCTOR WHAT
Okay, it’ll take me just a second here to
prep the teleporter for the four of us…

As he twists a dial on the control, the camera scene switches to a series of slow motion scenes:

COMMANDANT HARPER is seen stepping into the doorway behind the four. He raises his pistol and fires a single shot.

The camera switches to a close up view of DAVE HOWERY and KATIE’S clasped hands. Her hand goes limp, slips out of his grasp, and falls away.

Switch to DAVE HOWERY, turning around, a look of horror and grief on his face.

Switch to his POV; KATIE lies on the ground, staring up blankly, a pool of spreading blood around the back of her head. DAVE HOWERY sinks to his knees beside her.

Switch to COMMANDANT HARPER; he raises his pistol again, but a bullet ricochets off the wall by him. He moves back through the doorway out of sight.

The camera scene moves back to normal speed, and switches to GREY WOLF. He has his pistol raised, and a look of fury on his face.

GREY WOLF
You bloody damn murderer!!

He fires again. DOCTOR WHAT is seen behind him, looking stunned.

The camera switches back to DAVE HOWERY. He looks up at the doorway, and all the sanity has been wiped off his face, replaced by sheer rage. He picks up his chainsaw, fires it up, and charges towards the doorway with a wordless cry of anger.

The camera switches back to COMMANDANT HARPER, who looks around at the yell. A look of panic goes on his face, and he hurriedly fires two shots.

The camera switches back to DAVE HOWERY. One bullet strikes him in the abdomen, and the second in his left shoulder. He seems to ignore both wounds and makes a vicious swipe with the chainsaw. COMMANDANT HARPER turns gray and moans, sinking to his knees; his right arm has been severed. DAVE HOWERY looks down at him for a moment in rage, and then raises the chainsaw high and brings it down on the Canadian.

And splits him in two; the chainsaw goes straight down through his body and sinks into the concrete below him. Each half of the commandant falls away from the saw blade. DAVE HOWERY backs away from the body, teeth still grinding in fury. Off camera, several voices of Canadian soldiers are heard running towards the scene. DAVE HOWERY snarls again and starts moving towards them, but DOCTOR WHAT and GREY WOLF grab his arms and hold him back.

DAVE HOWERY
NO!! Let go of me,
I’ll kill every damn
one of them!!

DOCTOR WHAT
Damn it DAVE, you can’t!
You’ve been shot!

DAVE HOWERY suddenly stops struggling, and has a puzzled look.

DAVE HOWERY
Shot? Oh yeah…

His eyes roll back in his head, and he passes out, collapsing onto the ground. DOCTOR WHAT looks at the remote control in his hand.

DOCTOR WHAT
The teleporter is ready; I’m getting
all three of us the hell out of here.

GREY WOLF
Doc, what about… her?
We can’t just leave her here.

DOCTOR WHAT
After we get back on the ship,
we’ll teleport her to the
medical bay morgue.
And then… I don’t know.

He runs his fingers through his hair in frustration.

DOCTOR WHAT
What a damn mess this turned out to be.

He pushes a button on the remote, and all three shimmer out of view. A squad of Canadian soldiers comes into view moments later. They look in shock at KATIE’S body, and moments later they see COMMANDANT HARPER’S remains. One of them reaches hesitantly towards KATIE, but with a hum and a shimmer of lights, her body disappears. The soldier stands back up, looking completely bewildered.

EXT- SPACE- DAY

2 DAYS LATER

A shot of the AH.COM in orbit is seen.

INT- AH.COM SHIP- MED BAY- DAY

The camera opens with a shot of DAVE HOWERY lying on a hospital bed. He is breathing normally, but still apparently unconscious. Several IV tubes are attached to his arms, and a bank of monitors is showing his vital signs. His fingers are seen to start twitching, and then he takes a deep breath and stirs in the bed. His eyes slowly open, and he looks around uncomprehendingly for a moment. Then he suddenly sits up, eyes wide. At that moment, the door opens and DOCTOR WHAT walks into the room. He smiles slightly and sits on a stool by the bed.

DOCTOR WHAT
I’d hoped you’d be awake. How are you feeling?

DAVE HOWERY
(hoarse voice)
Where… how long….
(pause)
KATIE?

The smile disappears from DOCTOR WHAT’S face.

DOCTOR WHAT
You’re in the medical bay of our ship.
The AH.COM. In orbit over the planet.
You’ve been here two days.
(pause)
There was no chance of saving your wife. But I had her body taken up here.
Yesterday, GREY WOLF and I took her down to a quiet place in the Rocky
Mountains and buried her there. We left a marker and a signal beacon. If you
ever want to come back here, you can visit her grave. It’s in a really isolated
spot, so it’s unlikely that anyone will ever find it.

DAVE HOWERY nods at that, but a bleak look is on his face.

DOCTOR WHAT
I’m… sorry. That doesn’t help a bit, I’m sure, but I am.
I can’t help but feel I should have left everything alone
on this timeline. None of this would have happened.

DAVE HOWERY
I jumped into this with eyes open. I took a chance at freedom for both of us.
None of this is your fault. So… what happens to me now?

DOCTOR WHAT
That’s up to you. You have options. First, you can be taken to one
of the advanced timelines that are part of the whole multi-dimensional
society; you can become a citizen fairly easily. You wouldn’t be the
first refugee they’ve taken in. Or, you could go to one of the less advanced
timelines, but one where America had a better fate than yours. You
could blend in, come up with a fake background, and make a place for
yourself there. Finally, you could take up my original offer and become
a member of this crew and stay on this ship. I understand if you don’t
want to do that after all that’s happened, but it is still an option.

DOCTOR WHAT stands up.

DOCTOR WHAT
You need to rest awhile. Take this time and think about what you want to do.

He walks out of the room, leaving DAVE HOWERY staring at the door.

INT- AH.COM SHIP- ENGINEERING- NIGHT-

DOCTOR WHAT and GREY WOLF are seen in here, looking at the still nonfunctioning shift engine, rather unhappily. DOCTOR WHAT has a half empty package of hot dogs in his hand.

GREY WOLF
Doc, I keep telling you, it doesn’t matter how many hot dogs you shove
into the pipes of the engine, that isn’t going to help get it started.

DOCTOR WHAT
You got any better ideas?

GREY WOLF
Well… no… okay, try one more.

DOCTOR WHAT takes out a hot dog and prepares to shove it into one of the many pipes on the engine, when the door opens and DAVE HOWERY walks into the room. He is very pale and somewhat weak and badly needs a shave, but is otherwise whole. He touches the places where the bullets hit him.

DAVE HOWERY
Healed… after only two days? How is that possible?

GREY WOLF
Our medical technology is pretty advanced compared to yours. Of course,
your occupiers didn’t seem too concerned about medical research.

DOCTOR WHAT
Neither of us is a real doctor, of course, but we
can handle minor wounds like you had.
(pause)
So… have you come to a decision?

DAVE HOWERY looks around the room for a moment, and then nods.

DAVE HOWERY
Yes. If it’s still an option… I want to stay here on the ship.
I don’t want to be a refugee. I don’t want to be stuck on a
timeline where I don’t know anyone and have no chance
to ever get off of it. And…

He pauses, and the familiar look of slight madness goes across his face.

DAVE HOWERY
It occurs to me that traveling with you will give me the best chance
to get what I want. Somehow, somewhere, on one of the many
timelines out there, I will find the means for revenge on those
who exploited my people.
(dramatic pause, clenched fist)
Canada… will be destroyed!

DOCTOR WHAT and GREY WOLF look at each other.

DOCTOR WHAT
Ooookay. In the meantime though, we’re stuck here. The shift engine
is dead, and we really need to you to get it up and running.

DAVE HOWERY
Can I see the schematics on it?

DOCTOR WHAT walks over to a computer console and pushes some buttons. A monitor over the console lights up and starts displaying a bewildering variety of technical drawings. DAVE HOWERY walks over and looks at it. The camera switches to his face; his back is to the other two, and it is obvious from his expression that he has no idea what he is looking at.

DAVE HOWERY
That’s enough.

He walks over to the shift engine and looks at it a moment. He then goes over to a rack on the wall and picks up a large pipe wrench.

DAVE HOWERY
Well, first of all, would you get all of those damn hot dogs out of the pipes?
Now, what happens when you try and start it?

GREY WOLF pushes a large red button on the wall, and the shift engine is heard to gurgle pitifully for a moment. DAVE HOWERY suddenly raises the wrench and slams it down hard on an intake valve housing. The engine coughs and sputters, hot dogs spit out of several pipes, and then it purrs smoothly, working at peak efficiency. DAVE HOWERY turns around with a grin.

DOCTOR WHAT
That’s it?! Just whack it with a wrench?!
Hell, we could have done that on our own.

DAVE HOWERY
Ah, but you have to know just where to whack it with a wrench.

DOCTOR WHAT
Well… at least it’s up and running.
Let’s prepare to shift out of this timeline.

INT- AH.COM SHIP- CONTROL ROOM- NIGHT

The camera pans across the room. DOCTOR WHAT and GREY WOLF are seen at their stations, preparing for a jump. DAVE HOWERY is staring at the view screen in awe, watching the earth turn far below, and the stars beyond.

DAVE HOWERY
When I was a kid, I always wanted to go into outer space…

DOCTOR WHAT
Well, we don’t spend a lot of time out here… the whole appeal
of traveling the timelines is to see how different people and places
came out from what you know and expect.
(pause)
Yes! We have a vortex! Prepare to move the ship.

GREY WOLF
Roger. All systems nominal. Preparing to jump.

DAVE HOWERY
This is it. We’re really going to another timeline, another dimension.
I’m going away from everything I’ve ever known.

DOCTOR WHAT
Yes… but… we do have the coordinates for this timeline in the computer.
You could come back here someday, if you really want to.

DAVE HOWERY turns away from the view screen.

DAVE HOWERY
Someday. But only after I’ve found what I’m looking for.
In the meantime, there’s nothing here for me.

DOCTOR WHAT
Okay. And… you know, we really aren’t big on discipline on
this ship, but DAVE, you really need to shave.

DAVE HOWERY runs a hand along the stubble on his jaw.

DAVE HOWERY
Shave? Yeah, I’ll do that tomorrow.

GREY WOLF
We’re ready… moving the ship forward… now.

The scene on the view screen changes, as the ship moves and the earth is left behind. DAVE HOWERY looks back at it a moment. Unseen by the other two, a flash of anguish goes across his face. Then he turns resolutely away from the screen.

EXT- SPACE- NIGHT

The AH.COM moves into a shining vortex and vanishes from sight.

INT- AH.COM SHIP- ENGINEERING- DAY

PRESENT DAY

DOCTOR WHAT is finishing up the story.

DOCTOR WHAT
And that’s how we got our first crew member. It was touch and go for a while
until we picked up some more, but we managed to get through it all.

The camera switches to PSYCHOMELTDOWN and G BONE, who are looking at him with wide eyes.

G BONE
Wow. I never knew. That explains so much.

DOCTOR WHAT
About why he is so surly and uncommunicative?

PSYCHOMELTDOWN
No, about why is so slobbering insane and tends to cry when he gets drunk.
And why he gets so nuts every time KEIRA gets in danger (which seems to
happen damn near every week)
. Although… hell, guess he has a good reason.
(beat)
And I still can’t get over the fact that there was someone who actually
fell in love with him willingly. I mean, Jesus, It’s Dave Howery!

DOCTOR WHAT
Well, he has a good reason for not being here today too. Today
is exactly seven years since she was killed. No way am I going
to have him here working on sensitive equipment with that on his mind.
(pause)
And that’s enough time away from your job. Back to work…
we have to get all this crap fixed by tomorrow.

PSYCHOMELTDOWN and G BONE groan, but go back to work. As the screen fades to black, we hear two last comments.

G BONE (over black)
So, what’s with the beard?

DOCTOR WHAT (o.b.)
Ah, that’s another story…

END ACT II


TAG

EXT- SSM INDUSTRIAL CENTER- DAY

SEVEN YEARS AGO

The camera opens on a wide shot of the center. Smoke is pouring from most of the buildings. A Canadian soldier looks up and sees a pair of attack jets flying overhead. The camera pans back down to the ground and shows the battle mech lying smashed on the ground. However, there are dozens of soldiers lying dead on the ground, and mixed in with them are the bodies of many of the American workers. The soldier looks through the fence around the compound at Sault Ste. Marie, and sees a huge explosion rock the town. The sounds of screaming, rifle fire, and jets are heard clearly. The soldier turns to see FORTYSEVEN approaching with several other soldiers.

FORTYSEVEN
So, the commandant is dead? And our battle mechs all over the
Occupied Territory have turned against us somehow?

SOLDIER
Yes sir. And the damned Americans have taken the opportunity
to rise against us. I’ve heard the same thing is happening in the
Russian and German occupied sectors as well. When this is all
done, there won’t be anything left worth salvaging from the Americans.

Another soldier is seen running up to FORTYSEVEN with a satellite phone.

SOLDIER
Sir! It’s… the Premiere himself! He wants to talk to you.

FORTYSEVEN turns pale, but takes the phone.

FORTYSEVEN
Sir! I am Captain FORTYSEVEN… no, sir, the commandant has been killed.
No sir, the compound is in ruins, and the town itself is being leveled as we are
taking down the rebellion. No, sir, I haven’t heard anything about the compound
in Grand Rapids. It went off the air not long after the mechs turned on us. No,
sir, not many are left, we’re using air power to take them down. Sir, I don’t think
there’s going to be much left to salvage from this mess. From what I’m hearing,
every research center has been destroyed, and the Americans are rebelling in every
major city. Yes, we’ll take them down, but we’re destroying the infrastructure in
the process. I’m afraid that… hello? Sir, are you there?

FORTYSEVEN hands the phone back.

FORTYSEVEN
We lost contact. Check the satellite communications.

INT- MOSCOW- PREMIERE’S OFFICE- DAY

The camera focuses on a phone set on a desk. A hand from somebody off camera is seen putting the phone back onto the cradle and then unhooking the phone wire from the jack. The camera pulls back and we see that the desk is in a large plush office that is tastefully decorated in Spartan Russian style. The camera pans to the right, and we see MIKE COLLINS sitting in the chair behind the desk. He looks thoughtful and leans back. As he does, a door opens and MOLOBO walks in with a folder.

MIKE COLLINS
Let me guess… that ship in orbit had something to do with all this?

MOLOBO
Yes. It was definitely a timeline traveler, just like us.

MIKE COLLINS
Well, we’ve done all we can on this timeline. From what I hear,
we won’t be able to pull any more wealth from the Americans.
They went and got themselves killed. So… let’s move on. Set up
the shift device for another jump, and
get all the portable valuables ready to move.

MOLOBO
Yes sir. Oh, by the way, I pulled these
off of the Canadians’ security cams
at Sault Ste. Marie. These three seem
to be the ones who brought everything down.

MOLOBO hands him a set of photographs. MIKE COLLINS looks through them; they clearly show DOCTOR WHAT, GREY WOLF, and DAVE HOWERY. His eyes narrow in anger.

MIKE COLLINS
So… these are the bastards who
ruined our sweet setup here.
Well, they’ll pay for it someday.

MOLOBO
Do you know them?

MIKE COLLINS
No. But I never forget a face.
If I ever meet any of these people,
I’ll make sure they live to regret it.

FADE TO BLACK

ROLL END CREDITS

C-Men

Psychomeltdown on August 30, 2009 in Series 4 Comments »

TITLECARD-CMEN

TEASER

INT. – AH.COM SHIP- CONTROL ROOM – NIGHT

The camera pans across a scene of the control room. Several of the crew are at their stations monitoring their panels. DOCTOR WHAT walks through the door and looks around the room.

DOCTOR WHAT
Where is that new guy at? Haven’t
seen him around for a few hours…

GREY WOLF
FLOCCULENCIO? He’s in his quarters,
making what he calls ‘the mother of all curry’.

DOCTOR WHAT
No, not him, the other one, the kid.
Never can remember his name…

GBW
Oh, wait, I know it… it’s on the tip of
my tongue… Lucky? Lucid?
Something like that…

THANDE
No, I think its LUAKEL.

DOCTOR WHAT
Yeah, that’s it! So, where is he?

THANDE
He’s down on the planet with DAVE HOWERY.
Dave said he wanted to spend some quality time
with him, raise the boy right and all that.

DOCTOR WHAT
Really? I didn’t think Dave really liked him…
or any other kid for that matter.

THANDE
Yeah. Well, he likes him enough
to take him fishing anyway.

DOCTOR WHAT
Fishing?

THANDE
Yeah, Dave said something about needing bait…

EXT. – NEW YORK CITY- CENTRAL PARK – NIGHT

The camera pans across a scene of Central Park at night, showing a wide selection of scary looking people. The scene focuses in on LUAKEL, who looks scared and confused. He is wandering around looking at various people. He finally stops in front of a man in a nice suit and tie.

LUAKEL
Please, mister, I’m lost. Can you
help me find my way to 12th Avenue?

MAN
(kindly smile on face)
Why sure, sonny. Just follow me over here…

The two walk together out of the park and into a dark alley. When there is no one else in sight, the man suddenly turns around and grabs LUAKEL by the collar. An evil predatory grin is on his face.

MAN
Now, boy, you’re all mine! Oh,
the things I’ll do to you. Go ahead
and scream, no one will care.
(The man’s eyes go distant as a smile goes across his face.)
I’ve dreamed of such a moment as this for years…

LUAKEL
Well, keep dreaming, sucker,
and give me your wallet.

The man looks down to see LUAKEL holding a huge .45 Colt Automatic aimed at his groin. LUAKEL no longer looks confused or scared, and has a big smile.

MAN
Jesus, kid, put that away,
you might hurt someone!

LUAKEL
Yeah, I might just blow your pride
and joy right off of you.
Sure, the cops might come…
(fake confused and scared expression)
…but I’m just a helpless little boy who
was in the clutches of a nasty bad child molester!
(nasty grin again)
But if you hand over your wallet nice
and quiet, you get to walk away.

The man hesitates for a moment, and then takes out his wallet, throws it at LUAKEL, and runs out of the alley. LUAKEL picks up the wallet and pulls a big wad of cash out of it. A shadow falls across him, and he looks up. DAVE HOWERY is standing there, adamantium chainsaw slung across his back. LUAKEL hands the wallet and cash to him.

LUAKEL
Wow, you were right again, Dave! That’s
the third one in a row you’ve picked! How
do you do it… do you guys have some kind
of secret signals or something?

DAVE HOWERY
Not really signals, more of a… hey,
what do you mean, ‘you guys’… are
you accusing me of something?!

LUAKEL
No, no, of course not.

DAVE HOWERY glares suspiciously at him for a moment, and then goes back to counting the cash. He gives half of it to LUAKEL.

LUAKEL
How come I only get half? I think I should
get 75% because I’m doing most of the work.

DAVE HOWERY
Yeah, but I’m picking out the targets.
Without me, you’d be wandering
around accosting strangers at random.

LUAKEL
I think I should get 75%
because I’m taking all the risks.

DAVE HOWERY
What risks? I pick out targets who don’t
have any guns, and I’m watching over
you just in case something happens.

LUAKEL
I think I should get 75% because
I’m pointing a gun at you.

DAVE HOWERY looks up to see LUAKEL pointing the pistol at him. He sighs and pulls the chainsaw off his back.

DAVE HOWERY
I was afraid something like this would happen.

CUT TO OPENING CREDITS:

An Alternatehistory.com Presentation:

AH.COM: The Series


“C-MEN”

Written By : DAVE HOWERY


ACT I


EXT. – SPACE – DAY

High above the Earth, a wormhole opens and the AH. COM emerges out of it and settles into orbit.

INT. – AH.COM SHIP- CONTROL ROOM – DAY

Most of the crew is at their stations, looking at the earth on the viewscreen.

DOCTOR WHAT
Give me good news, LEO…

LEO CAESIUS
We’re in luck. This world is at
a modern level of technology.

GBW
Thank God! We’re running low
on damn near everything.

DOCTOR WHAT
What? We’re already out of supplies?
We just left the Hub.

GBW
Well we left in such a hurry that we hadn’t
had time to load up on the bare essentials.

DOCTOR WHAT
What are we missing

GBW
Well, you name it, we need it. Everything from
Booze to porn to lube to booze to porn…

DIAMOND
(sipping on a Keystone)
You’d think that point where all universes
connect would actually hold some decent
porn and booze, but nooo….

DOCTOR WHAT
Well did any of you want to stay around
at the Hub? After what happened?

A long pause by everyone.

DOCTOR WHAT
Okay, Leo. What’s the planet looking like?

LEO CAESIUS
None that are apparent. This world does seem to
have had a bad run of luck with nuclear power
plants, and background radiation levels are quite
a bit higher than normal. But nothing that will
be a problem for the away team.

DOCTOR WHAT
Okay. HENDRYK, get a list together of what we
need. LEO, find out what they use for money here.
Dave, when he does that, make us up a bunch of
local money. LEO, where would be a good
place to get supplies?

LEO CAESIUS
I recommend that you transport down to the outskirts
of Sault Ste. Marie in Michigan. There seems to
be a particularly good selection of wholesale alcohol
distributors and what appears to be
a very concentrated red light district.

DOCTOR WHAT
Sounds like a plan. Okay, the away team: me,
IRON YUPPIE, HENDRYK, and OTHNIEL.
WEAPON M too, just in case. But be subtle.
No big guns. We want to get in and out fast,
not scare the hell out of people. Let’s get to work.

DOCTOR WHAT pauses and looks around.

DOCTOR WHAT
Okay, where Luakel?

DAVE HOWERY
Oh, I’m sure he’s hanging around here somewhere.

EXT. – SAULT STE. MARIE – DAY

The camera opens on a parking lot scene outside of a huge discount store. The away team walks into the scene. They look around carefully. DOCTOR WHAT pulls out a very short list and looks at it.

DOCTOR WHAT
Okay, we’ve got most of what we need.
One more stop should do it.
What is this store anyway?

He looks up and the camera swings to show a huge building with the name HyperMegaMart.

DOCTOR WHAT
Well, that’s a more honest
name than Walmart anyway…

INT. – HYPERMEGAMART – DAY

The away team is seen with shopping carts piled high with assorted products. DOCTOR WHAT is ticking items off the list.

DOCTOR WHAT
Almost done! All we have left is…
booze, booze, booze, booze… hmmm…
Grey must’ve written this. Oh, and
the stuff on KITJED’s ‘special items’
list. OTHNIEL, you can find those.

OTHNIEL takes the list and looks at it.

OTHNIEL
Why does Kit need so much KY Jelly?

IRON YUPPIE
You’re too young to know that. Oh,
I almost forgot. I need a jumbo sized
tub of ointment to treat rope burns.

HENDRYK
Again? Didn’t you just get one… what the hell?!

The rest of the team looks up to see HENDRYK staring at something off camera. They turn to see a man who is grinning evilly at them. He is GASSER, the local version of STRAHA, and looks much like him, except that he has a huge frog-like head with massive pendulous jowls. He makes a deep gurgling sound, and his jowls begin to expand like balloons.

The camera switches to WEAPON M, who is reaching inside his coat for a pistol, when a large shadow falls across him. He looks up to see an 8’ tall hairy biped with fangs and red eyes. This is YOWIE, and his face is barely recognizable as the local version of MICHAEL. YOWIE backhands WEAPON M, who goes flying into a counter full of paint cans. He falls to the ground, knocked out.

The camera switches back to GASSER, whose jowls are now fully inflated. His head lunges forward and he breathes out a cloud of noxious green gas. The away team all cough, stagger, and drop to the floor. YOWIE looks over the group with a snarl, and then reaches down, picks up HENDRYK, and puts him over his shoulder. The two start to walk away, and then stop, looking at something off camera. GASSER starts to fill his jowls again and YOWIE snarls menacingly. Suddenly, a snowball hits GASSER smack on the nose, and he howls in pain. YOWIE starts to move forward, but a big potato hits him in the belly. A flurry of snowballs and potatoes hit both villains, and they turn and run away, HENDRYK still held by YOWIE.

The camera switches back to DOCTOR WHAT, who struggles to consciousness. The camera switches to his POV, which is very unfocused. He sees two blurry figures, one tall and white, the other short and brown. The camera switches back to DOCTOR WHAT, who passes out again.

Fade to black.

INT. – MICHIGAN SCHOOL FOR THE GIFTED- MEDICAL WARD – DAY

The camera fades in to an overhead view of DOCTOR WHAT, who is lying on a bed. He stirs, and opens his eyes with a gasp. Sitting up, he looks around. The camera switches to his left, and he sees OTHNIEL, IRON YUPPIE, and WEAPON M, all on beds, and all are stirring into consciousness. The camera switches to his right and we see a dark haired man in a wheelchair, smiling pleasantly.

DOCTOR WHAT
Wh… where are we? And who are you?

MAN
Welcome. You are in the medical wing of
my school. I am PROFESSOR CAESIUS.
I’m glad to see you are all recovering.

DOCTOR WHAT
Your school? What kind of school? And
who were those freaks who attacked us?

PROFESSOR CAESIUS
(frowning)
‘Freaks’ is a word I do not approve of.
But please, follow me. All your
questions will be answered.

PROFESSOR CAESIUS turns his wheelchair and leaves the room. DOCTOR WHAT looks at the others, who shrug. They get up and follow the professor out of the room.

INT. – MICHIGAN SCHOOL FOR THE GIFTED- CONFERENCE ROOM – DAY

The team members are seated around a long table, with drinks and snacks at hand. PROFESSOR CAESIUS is sitting in his wheelchair at the head of the table.

DOCTOR WHAT
We appreciate your hospitality, but can
you tell us just what is going on here?
And where is HENDRYK?

PROFESSOR CAESIUS
All in good time. But first… you are
from an alternate timeline, correct?

The team all look at each other in surprise.

DOCTOR WHAT
Because I’ve met your counterpart here on
this world. He looks much like you, of course,
but now he has hidden his face from the world,
donning a metal mask, and is
now the mutant known as GENETO.

DOCTOR WHAT
Uh… mutant?

PROFESSOR CAESIUS
Yes. This world has suffered from many nuclear
power plant malfunctions, and radiation levels are
higher than they were ever meant to be. This has
given rise to the birth of many human mutation births.
Some die, some have severe defects… but a few
have extraordinary powers. GENETO is one of these.
He has incredible talents when it comes to genetic manipulation.

DOCTOR WHAT
And the two who attacked us?

PROFESSOR CAESIUS turns and holds up a remote control. A panel on the wall opens to reveal a large monitor. It lights up and a picture of GASSER appears.

PROFESSOR CAESIUS

This is GASSER, one of GENETO’s mutant servants. He can produce a powerful narcotic sleeping gas in his lungs and expel it at will.

The monitor changes to show a photo of YOWIE.

PROFESSOR CAESIUS
This is YOWIE, an Australian mutant
of great physical strength.

WEAPON M
Gaaa! That’s the one that got me!

The monitor changes to show a photo of a man in a steel mask and black robes.

PROFESSOR CAESIUS
This is GENETO himself, the one
who ordered your friend to be taken.

DOCTOR WHAT
Why? We’re not even native to this world.
Why does he want HENDRYK?

PROFESSOR CAESIUS
This HENDRYK is French, isn’t he?

DOCTOR WHAT
Yes… how did you know that?

PROFESSOR CAESIUS
I know a lot of things. In any event, it is a logical deduction.
You see, GENETO has one other power; the ability to dominate
the minds of Frenchmen and make them his servants. He has
his mutant servants roaming all over to find them and bring
them to him… your friend just happened to be in the wrong
place at the wrong time. GENETO has an army of mutants
and Frenchmen under his control. He is the leader of one faction
of the mutants, the one that thinks their powers give them the
right to rule the world. I am on the other side; those that use
their gifts to help mankind. I started this school to gather our
kind together and teach them control and compassion. You have
met two of my associates already. They brought you here.

The door opens, and two people enter. One is obviously the local version of IRON YUPPIE, but her hair is pure white, and her eyes are also blank white. She is clad completely in white.

PROFESSOR CAESIUS
This is SNOW WOMAN. She has the power to create
snowballs out of thin air and hurl them at her enemies.

WEAPON M
(whispering to OTHNIEL)
Is it just me, or is that the lamest
super power you’ve ever heard of?

The other person is the local version of LUAKEL. He is wearing all brown clothing and has a big bag of potatoes slung over his shoulder.

PROFESSOR CAESIUS
This is SPUD BOY, one of my students.
He can throw potatoes with complete accuracy.

WEAPON M
(again whispering to OTHNIEL)
I take it back… that’s the lamest
superpower I’ve ever heard of.

DOCTOR WHAT
And you? Are you a mutant as well?

PROFESSOR CAESIUS
Yes. My power is more subtle.
You see, I know almost everything.

DOCTOR WHAT
About what?

PROFESSOR CAESIUS
Everything.

DOCTOR WHAT
Uh… you know almost
everything about everything?

OTHNIEL
What’s the square root of 320, 356?

PROFESSOR CAESIUS
566.

OTHNIEL pulls out a calculator and checks it.

OTHNIEL
Uh… right. Damn.

DOCTOR WHAT
Okay, but… almost everything?

PROFESSOR CAESIUS
Yes. I do not know everything. But I do know that GENETO
is planning something big, something to make everyone in the
world take sides in this mutant conflict. He wants the war out
in the open, where he hopes he can win. The capture of your
friend was just a sideline, but whatever he is planning, it will
make it hard to recover your friend, as his security will be very high.

DOCTOR WHAT
(sighs)
And once again, our simple little shopping trip turns into a
rescue mission of one of the crew. Just for once, I’d like to
run off and leave them behind. But I suppose we don’t dare
do it… plus, if we do it once, you might do it again if I get
captured, and we certainly can’t lose me, right?

The rest of the away team mutters something that sounds vaguely noncommittal.

DOCTOR WHAT
Okay, just where is this GENETO at?

PROFESSOR CAESIUS
His headquarters are in his Tower of Power outside Ottawa.
But you will not be able to get inside easily. He has dozens
of guards and electronic surveillance methods. I can’t help
you with the guards, but luckily I do know someone who can
help you with the cameras and sensors. I propose that you
take SNOW WOMAN, SPUD BOY, and one of my pilots
with you. I have a stealth plane that will
get you to Ottawa safely. Are we agreed?

DOCTOR WHAT
Yes. And once again, we go storming the fortified headquarters
of my evil counterpart near Ottawa. What does this make, 7 times now?

OTHNIEL
8. You forgot that Dies the Fire world where your
counterpart was the Warlord of Ontario.

DOCTOR WHAT
Oh yeah. He was cool, except for that
whole ‘starting an Eater kingdom’ thing.

IRON YUPPIE
Wait… the Tower of Power? This GENETO
thinks a lot of himself, doesn’t he…

EXT. – MICHIGAN SCHOOL FOR THE GIFTED- AIRFIELD – DAY

The camera pans across a small airfield. It stops on a large hanger with it’s door open. A sleek jet is taxiing out of it. It is obviously a stealthy high-tech ultra-modern plane. The away team, PROFESSOR CAESIUS, SNOW WOMAN, and SPUD BOY are moving across the tarmac. The last two mutants are wearing tight leather commando outfits with a large letter C on the left breast.

PROFESSOR CAESIUS
This will be your transportation to Ottawa.
Now all we need… ah, here he comes now.

The camera switches to another view, and a long black limousine is seen pulling up to the plane. As it comes into close view, it is seen that there is no driver; the car is driving itself. A corporate logo of a mechanical hand against a field of stars is emblazoned on the doors. The car stops in front of the away team, and the door opens. A man steps out; this is HARDWIRE, the local version of DAVE HOWERY. He has been heavily altered, with dozens of electronic devices connected to his body. Wires run in and out of his flesh, and an optical magnifying device covers one eye. He walks over to PROFESSOR CAESIUS and shakes hands with him.

WEAPON M
(whispering to IRON YUPPIE)
We are the Borg, you will be assimilated…

HARDWIRE
(electronically altered voice)
I got your message, professor. I was
able to build this item to help your team.

HARDWIRE hands a small PDA-like device to DOCTOR WHAT, who looks at it and plays with the buttons.

DOCTOR WHAT
Infrared scanner takedown, camera deactivation, heat sensor
shutdown. Yeah, this will be very handy. Hey, is this Tetris?!

He starts playing a game.

HARDWIRE
Good luck, professor.

He gets back into his limousine, which drives away.

PROFESSOR CAESIUS
You are as prepared as much as we can do
for this mission. The pilot knows where
you need to go. Good luck, team.

PROFESSOR CAESIUS turns his wheelchair and moves off camera. The away team and mutants all move towards the plane, except for DOCTOR WHAT, who is still playing Tetris. He is left standing alone until WEAPON M comes back into the scene and drags him away.

INT. – STEALTH PLANE – DAY

The camera pans across the interior of the jet. It has several flight seats, and is clean and obviously high tech. The away team is seen entering. They look around the interior, and finally at the pilot. He is the local version of FELLATIO NELSON, and looks normal, except for a large cricket bat by his seat.

CRICKETEER
Strap yourselves in, lads. Or If you wish I can
do it for you. I have a gentle touch.

The team members all seat themselves and buckle up, as the engines begin to whine.

EXT. – AIRFIELD – DAY

The camera cuts to a high angle over the airfield. The limousine is seen driving off far below. The stealth plane appears from a low angle and flies across the screen.

Fade to black.

END ACT I


ACT II


EXT. – OTTAWA- TOWER OF POWER – DAY

The camera fades in to a scene of a tall building on the edge of the city. It is phallic shaped and made of gleaming white marble.

INT. – TOWER OF POWER- LOUNGE – DAY

The camera pans across a comfortable looking room with chairs and tables. Two of GENETO’s henchmen are seen. One, RABBLE ROUSER (the local version of MEJ) , is in a recliner, reading a magazine. The other, CASANOVA (the local version of ROMULUS AUGUSTUS) , is looking at himself in a mirror on the wall, a pleased expression on his face.

CASANOVA
Looooooking gooooood!! Damn, I am so handsome.
What is it, the shaved head, the clothes, the car? What
is it that makes me so irresistible to any woman I choose?

RABBLE ROUSER
Well, maybe it’s your mutant pheromones… you know,
the ones that make all women want to serve you?

CASANOVA
(looking crestfallen)
It can’t be just that… it’s the whole package.

RABBLE ROUSER
No, it’s pretty much just the mutant pheromones.

CASANOVA
(on the verge of tears)
Well… at least my powers get me girls. Yours
just makes crowds of people go mad with rage.

RABBLE ROUSER
(fanatic gleam in eyes)
Power lies in the masses! He who controls the mob
controls the world! Someday, the oppressed peoples shall…

He stops when GASSER and YOWIE enter the room, HENDRYK still carried unconscious.

RABBLE ROUSER
Ah, another servant for our fearless leader…

INT. – TOWER OF POWER- INTERROGATION ROOM – DAY

The camera is tight on HENDRYK’s face. He suddenly startles awake and looks around. The camera pulls back and we see he is in a room with several chairs and a table piled high with lots of awful looking torture devices. HENDRYK is tied to a chair, and two other Frenchmen are also held captive in here. The door opens, and GENETO walks in, with a pair of guards toting assault rifles. He walks over to one of the Frenchmen and talks to him in a strange resonating voice.

GENETO
Frenchman! Hear my words and do my bidding.
Your only desire now is to serve me.

The Frenchman’s face and eyes go slack and expressionless.

FRENCHMAN
Oui, oui, monsieur, I want only to
do your will. Command me.

GENETO
(to guardsman)
Designate this one for work in the reactor
chambers. They die pretty fast down there.

He walks over to the second Frenchman.

GENETO
Frenchman! Listen to my voice.
You now are my servant forever.

The second Frenchman’s eyes go blank as well.

FRENCHMAN
Oui, oui, I am your
‘umble servant, monsieur.

GENETO
(to guard)
This one is pretty spindly looking. Use him for
live target practice for the troops next week.

He walks over to HENDRYK.

GENETO
Frenchman! Hear me. You are in my power,
and will obey my commands.

HENDRYK
You know, that helmet you’re wearing looks very much
like a ceremonial death mask of the 17th Lik-Mei dynasty.

GENETO
Huh? Pay attention! You are my slave,
you will do my bidding…

HENDRYK
The Chinese invented slavery, you know, along with
golf and tennis and gunpowder and bears and…

GENETO
Silence! Pity. Your deep interest in all things Chinese has
diluted your French-ness and made you immune to my power.
I’ll have to do something else with you.
(long pause)
I know! You can feed my cats.

HENDRYK
That doesn’t sound too bad.

The two guards laugh nastily, untie HENDRYK, and drag him out of the room.

INT. – TOWER OF POWER- CAT ROOM – DAY

The camera shows a door that is opened, and the guards with HENDRYK enter the room, followed by GENETO.

The camera pans around the room, showing that most of it is a deep sunken pit; HENDRYK and his guards are standing on a ledge above it. HENDRYK looks down into the pit. The camera follows his gaze, and we see a pair of hungry looking sabertooth tigers looking back up at him.

GENETO
Meet Mynx and Sphynx.

The camera switches to a view of the opposite wall. A door there opens, and DRACONIS NOIR emerges, being driven into the room by two guards with cattle prods. They keep driving him until he topples from the ledge with a scream. Two deep roars are heard, and the scream suddenly cuts off. The camera switches back to HENDRYK, who looks horrified and nauseated.

GENETO
Luckily for you, the cats are having a big meal
right now, and won’t be hungry again until tomorrow.

GENETO and the two guards all laugh, and then HENDRYK is dragged from the room.

EXT. – TOWER OF POWER – DAY

The away team is seen walking into view. They pause and look with disbelief at the phallic shaped Tower off in the distance.

WEAPON M
Good lord… he is really compensating
for something, isn’t he.

SNOW WOMAN
Yes, and I know that for a fact. We used to
date when he was a student at the school.

DOCTOR WHAT
(looking embarrassed)
Okay, enough already. Let’s try out this gizmo…

He fiddles with the controls, and pushes some buttons.

DOCTOR WHAT
Hmm… infrared scanner… shut down.
Security camera… turned off.
Trip wire alarm… deactivated.
Wow, this thing is neat!

WEAPON M
Does it detect guard dogs?

DOCTOR WHAT
No, just electronic items.

WEAPON M
Too bad. You might have seen those two coming.

DOCTOR WHAT looks up to see two huge Rotweilers snarling at the group. One of them charges towards CRICKETEER, but he quickly takes the cricket bat off his back and whacks the dog on the snout three times. That dog runs off yipping, it’s tail between it’s legs. The other dog grabs DOCTOR WHAT by the leg and shakes him viciously. Keys, coins, and porn magazines fall out of his pockets as he is helplessly flailed about. The dog lets go of his leg and starts to go towards his crotch, but an ominous buzzing sound is heard. The dog looks around in curiousity.

The camera switches to a tight shot of IRON YUPPIE’S electrified yoyo shooting out. A loud ZAP is heard.

The camera switches back to the dog, which is smoking, and all its hair standing out on end. It whines briefly, and then falls over. DOCTOR WHAT gets back onto his feet after gathering up all his possessions.

DOCTOR WHAT
Good shot, Yuppie. I hope there aren’t any more of them.
I think I’ve shut down all the security devices on this side
of the building. Let’s get in there and find HENDRYK.

The team moves off towards the building.

INT. – TOWER OF POWER- COM ROOM – DAY

GENETO is seen in a room filled with monitors, radios, and computers. CASANOVA walks in and bows.

CASANOVA
Boss, we have a problem. All of the security devices
on the south side of the complex have gone down. It’s
too focused to be a software glitch. Also, one of our
guard dogs came back whining and hid under a cot,
refusing to come out again. I think we’re being infiltrated.

GENETO
Ah, I sense the hand of my old adversary, PROFESSOR CAESIUS,
in all this. Well, he will not stop the Plan from going through.
Take our forces to the south doorway and meet the intruders head on.

CASANOVA bows and leaves the room. GENETO looks at one of the monitors and quickly punches a code onto a keyboard. The monitor shows an overhead view of Sault Ste. Marie.

GENETO
So, Professor, you think to send your
minions to stop me? Well, you are too late.

GENETO pushes the Enter button on the keyboard, and then laughs ominously.

EXT. – SAULT STE. MARIE – DAY

The camera opens on a scene of a fine sunny day in the town, with people going about their daily business. Several people stop and look around curiously as a low rumbling moves across the town. The rumbling increases to a severe earth shaking, and people start to scream and run. The ground suddenly bursts open at a park, and four huge hands grip the edge of the hole. A gigantic figure slowly climbs into view, a figure with a narrow blonde head and four arms. It climbs out and stands up; it is a giant PARIS HILTON clone, 50’ tall, with four arms that each holds an I-beam as a weapon. The ground bursts open in several other places behind it, and more of the giants climb out into view. The giants look down on the terrified people cowering below them. With shrill bellows of rage, they begin rampaging through the town, stepping on people and hammering buildings with their I-beams.

INT. – MICHIGAN SCHOOL FOR THE GIFTED- COM ROOM – DAY

PROFESSOR CAESIUS is seen in a room lined with monitors and computers. A sudden beeping sound is heard from one monitor and the Professor clicks a button on a remote. The monitor lights up and shows an overhead view of the giants ravaging Sault Ste. Marie.

PROFESSOR CAESIUS
Ah, GENETO, what have you done?!
This is going too far, even for you.

Another monitor beeps and lights up, showing a view of HARDWIRE sitting in a room filled with technical devices.

HARDWIRE
Professor. I assume you have seen
what is going on in Sault Ste. Marie?

PROFESSOR CAESIUS
Yes. GENETO has finally unleashed his plan upon us.
Sault Ste. Marie is only the beginning. If he is not stopped,
his genetic monsters will wreak havoc across the world.
Our last hope is the team now sneaking into his Tower.

HARDWIRE
Yes, hopefully they can stop him. Meanwhile, I will do
what I can to stop the giants in Sault Ste. Marie…
but I don’t know if it will be enough.

The monitor goes dark. PROFESSOR CAESIUS looks at the monitor showing the destruction of Sault Ste. Marie, a grim look on his face.

INT. – TOWER OF POWER- SOUTH ENTRANCE – DAY

The away team is seen cautiously peeking through an open door. They look around, but no one is in sight. The team steps into the room.

DOCTOR WHAT
All right! We made it all the
way in without being spotted!

With a low growl, YOWIE suddenly drops from the ceiling, landing right in front of DOCTOR WHAT. At the same time, a horde of Frenchmen armed with clubs and knives pours out of a side door, followed by RABBLE ROUSER. He addresses the mob in a voice that echoes strangely and deeply through the room.

RABBLE ROUSER
Members of the oppressed proletariat! We have invaders
who stand in the way of our plans for a glorious new society!
Will you let them steal your future?! NO!! Strike down
the imperialist oppressors now!

The mob of Frenchmen howls with crazed anger and charges towards the away team. Meanwhile, YOWIE is menacing DOCTOR WHAT, claws and teeth bared; he sinks to his knees in fear. YOWIE steps forward to attack him, but is distracted by a voice heard off camera.

WEAPON M (os)
Hey! You! Fuzzy!

YOWIE turns to look at WEAPON M, and his eyes go wide in shock. The camera switches to WEAPON M; he is holding an Uzi in each hand. He empties both guns into YOWIE, who staggers back from the impacts, and then falls down with a pitiful wail.

WEAPON M
Never mess with a postal worker, ya hairy bastard!

The mob of Frenchmen stops their mad charge, looks down at YOWIE in horror, and then run panicking out the door they came in. RABBLE ROUSER has barely moments to scream before he is trampled by the mob.

IRON YUPPIE
Wow, that was fast… even for us. Shall we go on?

The team moves towards a doorway ahead of them. The camera pans ahead of them, and shows GASSER hiding around a corner. His jowls are filling with a gurgling sound. He suddenly lunges around the corner and expels his green cloud of gas. He then stands and watches, looking pleased. After a moment, his look goes from happy to puzzled, and then angry.

The camera switches back to the away team, coming into view as the gas clears. The team members are all wearing gas masks and giving GASSER the finger, big grins on their faces. However, they all suddenly looked panicked and yank the masks off their heads. The camera moves to a close up shot of one of the masks on the floor; the rubber seals around it are corroding away.

The camera switches back to GASSER, who is grinning nastily as his jowls start filling again. His head lunges forward to expel the gas again, but before he can do so, a huge potato lodges itself in his mouth. GASSER looks startled for a moment, then terrified as he tries to dislodge the potato, his jowls filling up more and more.

The camera switches to the away team, looking on in morbid fascination. A loud BANG is heard, and bits and pieces of GASSER’S head fall all around them. The team all look disgusted.

The camera switches back to GASSER, now headless. His body slowly falls backwards and thuds on the ground. The camera switches back to the away team, who are all looking at SPUD BOY in surprise.

SPUD BOY
(pulling out a potato)
Ah, the jumbo russets… gets them every time.

DOCTOR WHAT
Uh… right. Let’s get moving.

The team walks through a door on the opposite wall.

EXT. – SAULT STE. MARIE – DAY

The camera pans across the town, now in ruins, as the giant PARIS HILTON clones have wrecked many of the buildings. The camera closes in on one giant, who has moved away from the others. It pauses in its rampage and looks up in the sky.

The camera switches to its POV. Seven large mechanical figures are seen dropping out of the sky, jet rockets in the feet slowing their descent. They land heavily just outside the town and stand upright. They are mechs with one arm wielding a huge chainsaw, and the other arm being a mini-gun. All the mechs have HARDWIRE’S corporate logo painted on their chests. They advance forward toward the isolated giant. All seven mechs track the giant with their mini-guns and fire; the giant is shredded and goes down in pieces. The other giants, still a dozen strong, immediately cease their rampages and thunder out of the town to engage the mechs. One mech goes down, hit by two I-beams wielded by one giant, that smash the head of the robot beyond repair. The giants and mechs engage in a melee of chainsaws, guns, and I-beams.

INT. – TOWER OF POWER – DAY

The away team is seen climbing a staircase. The camera focuses on SNOW WOMAN, who stops when she hears a beeping sound. She takes a com device out of her pocket and listens to it for a moment. She puts it away and looks at the others grimly.

SNOW WOMAN
We need to hurry. GENETO has set some
of his creations loose on Sault Ste. Marie.

The team hurries up the stairs.

INT. – TOWER OF POWER- DETENTION CENTER – DAY

The away team walks to the top of the stairs and looks around. They see a long line of cell doors.

DOCTOR WHAT
Well, crap. This’ll take all day to search.
Let’s split up and look around.

The team members walk up and down the corridors, looking in through the tiny windows on each door.

The camera follows IRON YUPPIE as she looks through several windows. She looks through the door at the end of the hall. The camera switches to her POV, and we see HENDRYK tied up in the corner, gagged and hooded. IRON YUPPIE tries the door; it’s unlocked. She steps into the room.

INT. – TOWER OF POWER- CELL BLOCK – DAY

IRON YUPPIE walks over to HENDRYK and pulls the hood off his face, then the gag out of his mouth. She starts to cut the ropes from his arms when a voice from off camera is heard.

CASANOVA (os)
Greetings, my pet.

IRON YUPPIE whirls around and sees CASANOVA step out of the shadows.

IRON YUPPIE
Oh joy, another minion. And I haven’t
beaten anybody up in hours…

CASANOVA
You don’t want to beat me up. You want to be mine.
My pheromones have filled this room and you cannot resist me.

HENDRYK
Hah! You think that’ll work on her?!
She’ll chew you up and spit you out
without breaking a sweat!
(pause)
Uh… Yuppie?

The camera switches to IRON YUPPIE, who is looking with vacant eyes at CASANOVA.

IRON YUPPIE
(slurred voice)
Yes. I want him. I must have him.

HENDRYK
Uh, buddy, you really don’t want to do that.

CASANOVA grins at IRON YUPPIE, rather predatory.

CASANOVA
Yes, my pretty one. Come to me, do my bidding.

As if against her will, IRON YUPPIE moves forward slowly, stopping in front of CASANOVA.

CASANOVA
Now, my pet, turn on your comrades.
Go and kill them for me.

IRON YUPPIE slams her fist into CASANOVA’S stomach; he turns green and collapses. IRON YUPPIE then shoves her boot heel onto his neck.

CASANOVA
But…*choke*… how can this *choke* … be?!
You… *choke*… love me!

IRON YUPPIE
(grinding boot into throat)
I LOVE YOU!!!!

HENDRYK
I said you shouldn’t do that, didn’t I?
Damn… no wonder Landshark barely leaves his quarters…

The rest of the away team runs into the cell, drawn by the noise. They stop in shock at the scene.

HENDRYK
(desperately)
Doc, for God’s sake, get me out of here!
She’s horny and violent!

DOCTOR WHAT frantically digs through his pockets and pulls out a communicator. He thumbs the button on it and yells into the speaker.

DOCTOR WHAT
G BONE! G BONE! Lock onto Yuppie
and beam her up! Do you hear me?!

DOCTOR WHAT listens to the communicator, but hears only a loud snoring sound.

DOCTOR WHAT
Goddammit G BONE, wake your lazy ass up!!

G BONE
(through the speaker)
Wha… whozat… huh?

DOCTOR WHAT
Lock onto Yuppie and beam her out! And as soon as
she materializes, run for it! You hear me?!

G BONE
Oh my God! She’s horny and
violent again?! Transporting now…

The camera switches to IRON YUPPIE, who has CASANOVA in a headlock. With a shimmer of colored lights, the couple disappears.

HENDRYK
God, that was close! Oh, and
thanks for the rescue, and all that.

DOCTOR WHAT
Yeah. All the same though, I think we’ll
wait a while before going back to the ship.
We’ll just let her work out her, uh,
frustrations on the crew up there.

WEAPON M
That’s really unfair to the rest of
the crew… but I agree totally.

DOCTOR WHAT
Let’s get back to the plane. We have some
business in Sault Ste. Marie to take care of.

INT. – TOWER OF POWER- SOUTH ENTRANCE – DAY

The away team is hurrying across the room, but when they are halfway across, the exit door is suddenly flung open. GENETO is standing there, with MYNX and SPHYNX at his sides, snarling viciously. The team stops.

GENETO
So, meddlers, do you think you can invade my house,
kill my servants, and then just leave?!

WEAPON M
Do you think you and your mangy pets can stop us?

GENETO
Perhaps not. But my latest creation certainly can.
Like you, he was a traveler from another timeline.
But I found him and changed him. Meet… CEPHALOBOY!

The west wall of the room suddenly shatters. A huge bulk is seen in the dust. As it clears, a vast and bloated body of pale flesh is seen, with dozens of squirming tentacles. A bulbous head atop the whole creature can be recognized, although twisted and bald, can be recognized as that of LUAKEL.

DOCTOR WHAT
Oh. My. God. You dared to
experiment on a LUAKEL clone?!

GENETO
Yes! And he has been genetically
programmed to obey only me!

DOCTOR WHAT
You stupid stupid fool! Don’t you know that LUAKEL
clones are genetically unstable?! This thing won’t obey anyone!

GENETO hesitates, and looks at CEPHALOBOY. The monster burbles and babbles and rolls itself forward. It gabbles at GENETO for a moment. Then, two of its tentacles snap out and grab MYNX and SPHYNX and shove the unfortunate cats into its wide fanged mouth. GENETO recoils in shock.

GENETO
Oh dear God. What have I done?!

GENETO takes out a small PDA like device and quickly punches in a code on it. However, as he does so, one of the tentacles reaches out and wrap around his ankle. GENETO screams as he is dragged away. DOCTOR WHAT and WEAPON M grab him, but are unable to pull him free. As they struggle, GENETO pushes the device into DOCTOR WHAT’S hand.

GENETO
Take this… it’s the only way to stop him.

With a final wail of terror, GENETO is pulled into CEPHALOBOY’S mouth. The away team backs away in fear. DOCTOR WHAT glances at the PDA.

DOCTOR WHAT
Yes! Okay, everyone, run for it!

The away team sprints out the open door. CEPHALOBOY finishes chewing, looks at them and rolls towards the door.

EXT. – TOWER OF POWER – DAY

The away team is seen running away from the tower. A loud crashing sound makes them stop and look behind them. The camera switches to their POV, and we see CEPHALOBOY is trying to squeeze his way out of the door. He is much too large to do so, but the frame around it is crumbling. The camera switches back to DOCTOR WHAT, who holds up the PDA. With a grim look, he pushes a button on it.

The camera switches back to the tower. With a loud explosion, the tower erupts into flame and smoke. The building collapses down onto CEPHALOBOY, crushing him into goo. Flames shoot up from the wreckage.

The camera switches back to the away team, who are looking rather grim.

SNOW WOMAN
All those poor people inside…
but we really had no choice.

WEAPON M
Yeah… but hey, most of them
were just Frenchmen, so no loss.

HENDRYK
Hey!!

DOCTOR WHAT
Come on, people, let’s get the plane up and
running. We have one last thing to do.

OTHNIEL
Just out of curiosity, why do your evil counterparts
always have self destruct devices in their fortresses?
We use those against them almost every time.

HENDRYK
Character flaw. Call it a blind spot.

EXT. – SAULT STE. MARIE – DAY

The camera pans across the battlefield, littered with the remains of mechs and giants. Only one mech and two giants are left standing, both battered and dismembered. The mech has only its chainsaw left, and faces two giants each wielding a single I-beam. The giants attack simultaneously. The mech manages to dodge one I-beam and slices the head from one giant, but the I-beam swung by the other giant crushes the mech’s head. It goes down sparking and burning. The lone giant howls in triumph. Moments later, a pair of missiles hurtle into the scene and slam into the giant’s back. It goes down with a groan, dead.

INT. – STEALTH PLANE – DAY

The away team members all whoop and cheer.

DOCTOR WHAT
Nice shootin’ Tex!

CRICKETEER
Thanks. I practice a lot.

DOCTOR WHAT
Well, we got HENDRYK back, we got most of our shopping done,
and we saved the world… again. Damn, are we good or what?

OTHNIEL
I’d go with ‘or what’. Most of the time,
we just stumble our way through and luck out.

DOCTOR WHAT
Yeah, it’s our trademark. But hey, any day you walk away
without getting your asses kicked is a good day.

The final scene shows the stealth jet flying into the setting sun. Fade to black.

INT. – AH.COM SHIP- TELEPORTER ROOM – NIGHT

The away team shimmers into view. They look around cautiously. G BONE is at the controls, sporting a huge black eye and a sour look.

DOCTOR WHAT
Hi. Ah. Didn’t run fast enough, did you?

G BONE
Nope. You’d think anyone wouldn’t be able to catch you
when you are still materializing, but she managed it somehow.

DOCTOR WHAT
So… is it safe yet?

G BONE
Yeah, Yuppie stormed into her quarters with some guy
held in a death grip. Boy, I never saw a grown man
cry so much. But she came out a few hours later and
said she was fine, it had ‘worn off.’

DOCTOR WHAT
Oh thank God.

G BONE
You guys have a good time?

DOCTOR WHAT
If you call nearly getting killed by an evil alternate
version of yourself funf…damn. Didn’t that just
happen too? Alright, who’s up for drinks at the Hub?

A weary cheer is raised.

INT. – AH.COM SHIP- IRON YUPPIE’S QUARTERS – DAY

IRON YUPPIE is seen in the living room, tidying up. LANDSHARK walks in.

LANDSHARK
Uh, babe, how many prisoners do you
have tied up in your pleasure chamber?

IRON YUPPIE
Just the three. No wait, there are four now.
Let’s see… DRACONIS NOIR, NRED, and
REDROVER from that ‘After Cuba’ timeline,
and now CASANOVA. Yep, four. Why?

LANDSHARK
Because there are five people in there.

IRON YUPPIE and LANDSHARK walk out of the room.

INT. – AH.COM SHIP- YUPPIE’S PLEASURE CHAMBER – DAY

LANDSHARK and IRON YUPPIE walk into the room, still decorated in medieval torture chamber style. IRON YUPPIE looks around the room. One wall has DRACONISNOIR, NRED, REDROVER, and CASANOVA handcuffed to it. The first three look dull and resigned to their fate. The last one seems shattered and broken, sobbing endlessly. IRON YUPPIE looks around the rest of the room and sees another figure chained to the opposite wall. The two walk over to him; it is LUAKEL, with a blank horrified expression on his face.

IRON YUPPIE
What the hell?! This isn’t one of mine.

LANDSHARK
Good God, you never noticed him before?
How long do you think he’s been here?

IRON YUPPIE
Well… uh… I don’t… damn it,
I don’t look at faces that closely!

LANDSHARK
Oh dear God, he’s seen everything you’ve
been up to in here lately! The poor kid…

IRON YUPPIE
Now, now, he’ll get better, with lots of therapy.

IRON YUPPIE releases LUAKEL from the chains. He immediately curls up on the floor in a fetal position and sucks his thumb. The final scene is a close up of his blank empty eyes.

END ACT II


TAG


INT. – THE HUB – THE PUB – DAY

IAN is polishing the bar top, when two figures in cloaked hoods sit down before the seat. One is larger and the other smaller and we can’t see their faces.

LARGER FIGURE
Drink.

IAN smiles, sliding a heavy ceramic mug before the LARGER FIGURE and a bowl before the SMALLER FIGURE.

SMALLER FIGURE
What is this?

IAN
Watermelon.

SMALLER FIGURE
It’s good.

IAN
I’ve noticed you and your friend
around here a few times.

LARGER FIGURE
(hostile)
What we do is our own business.

SMALLER FIGURE sets calming hand upon the LARGER FIGURE.

SMALLER FIGURE
We’re meeting friends.

IAN
(grins)
Well, welcome to the Pub in the Hub.
If there is anything you need, feel free to ask.
(walks off to help another customer)

LARGER FIGURE
He is too inquisitive.

SMALLER FIGURE
He runs this entire place, the Hub.

LARGER FIGURE
Surely we can do this in another place?

SMALLER FIGURE
What better place than in the heart of all the Universes?

LARGER FIGURE
It’s because he’s always here, isn’t it?

SMALLER FIGURE
That is none of your business.

There is a long silence.

LARGER FIGURE
I think they are here.

Camera pans and we see a small group of large cloaked figures. They are standing near a corner table.

LARGER FIGURE
They should come to us.

SMALLER FIGURE
Then it would attract to much attention.

LARGER FIGURE
This is unseemly.

The two figures get up and move toward the small group of cloaked figures.

The two groups look at one another.

One figure from the second group pull off his hood, we see he’s got a heavy brow and thick featured, LONWIS TROB.

LONWIS TROB
(haughty tones)
Is this the one?

LARGER FIGURE
Quiet worm.
This is the Mistress of the Worlds
you are talking to!

The SMALLER FIGURE pulls back the hood of her cloak and we see that it’s ATTA . The LARGER FIGURE beside her is ADIKOR.

The cloaked group pauses and stares.

LONWIS TROB
You live?

ATTA
The Great Destroyer has found us out.
He is coming after us again.

The group wails.

LONWIS TROB
Then what are we to do?

ATTA
But he is alone. He is lost from his universe and
travels across the worlds looking for home. It is
time that the Great Empire be restored, we have
for too many years been disunited and scattered to the winds.

The cloaked men slowly nod and agree, and then they drop to their knees.

LONWIS TROB
Command us, Mistress.

ATTA
We rebuild the empire and we destroy our enemies.
(a beat)
My child and heir shall rule over an empire that
does not know the fear of the Destroyer.

Pull back and we see ATTA set her hand upon a clearly visible stomach.

FADE TO BLACK

ROLL END CREDITS